THE LAUNCH OF A CHINA STEAMER.

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Plate XXXII.

THE CHINA NAVIGATION COMPANY'S T.-SS. "FENGTIEN."

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We have referred generally to the passenger accommodation in the ships built by the firm, and it may be interesting to refer here to the character of the work done and illustrated on [Plate XXVII]., facing page 73. The first view shows the dining-room of one of four Portuguese steamers. This room is designed in the Jacobean style. The walls are framed and panelled in solid walnut, and all the mouldings, cornices, architraves, pilasters, columns, pediments, and also the furniture, are beautifully carved. The floor is laid in mosaic tiles, in geometrical patterns, with Brussels carpet runners in the passage-ways. The ceiling is of yellow pine, moulded, ribbed, and broken up with carved panels, painted a flat white and relieved with gold. The dome skylight is in teak, with richly-carved beams and mouldings; and glazed with embossed plate glass, while the side windows are fitted with jalousie blinds, stout double-line teak shutters, and glass bull's-eyes in brass frames. The upholstery is in crimson Utrecht velvet, and seating accommodation is provided for sixty-eight saloon passengers.

The other view on [Plate XXVII]. illustrates the drawing-room of the steam yacht Foros, built for M. Kousenzoff, of Moscow. It is in the Elizabethan style. The walls are framed in solid East Indian satinwood, highly finished and French polished, with figured silk tapestry panels of a shade that harmonises and blends with the wood-work. Neat and delicate carving in low relief is introduced where most effective. The ceiling, of yellow pine, has square panels of Tynecastle tapestry, relieved with rich carving in cornices and beams. The room is lighted and ventilated by eight large round lights in the ship's side, each enclosed in a recess with a sliding screen of beautifully-stained and leaded glass. The large circular skylight in the centre of the room, finished to suit the ceiling, has large opening sashes, glazed with stained glass. The floor is laid with oak parquetry, with a Parisian mat in the centre. The room is heated by a slow-combustion grate with rich brass mounts, tiled hearth, fire-brasses and fender. The mantelpiece and overmantel, in satinwood, is a beautiful piece of work—carved and relieved with colonnades and pilasters. This room is fitted with a complete installation of electric bells and lights, with two graceful electric candelabra, one on each side of the fireplace. The stained glazing is illumined at nights by electric lights on the outside. The drawing-room is completely and artistically furnished with high mirrors, fitments, writing-tables, card and occasional tables, and with a variety of beautifully upholstered chairs and sofas. All the metal-work is of ormolu.