From a Swedish Homestead

by Selma Lagerlöf

At Santa Caterina's house in Siena, on a day towards the end of April, in the week when her fête is being celebrated, people come to the old house in the Street of the Dyers, to the house with the pretty loggia and with the many small chambers, which have now been converted into chapels and sanctuaries, bringing bouquets of white lilies; and the rooms are fragrant with incense and violets.

Walking through these rooms, one cannot help thinking that it is just as if she were dead yesterday, as if all those who go in and out of her home to-day had seen and known her.

But, on the other hand, no one could really think that she had died recently, for then there would be more grief and tears, and not only a quiet sense of loss. It is more as if a beloved daughter had been recently married, and had left the parental home.

Look only at the nearest houses. The old walls are still decorated as if for a fête. And in her own home garlands of flowers are still hanging beneath the portico and loggia, green leaves are strewn on the staircase and the doorstep, and large bouquets of flowers fill the rooms with their scent.

She cannot possibly have been dead five hundred years. It looks much more as if she had celebrated her marriage, and had gone away to a country from which she would not return for many years, perhaps never. Are not the houses decorated with nothing but red table-cloths, red trappings, and red silken banners, and are there not stuck red-paper roses in the dark garlands of oak-leaves? and the hangings over the doors and the windows, are they not red with golden fringes? Can one imagine anything more cheerful?

And notice how the old women go about in the house and examine her small belongings. It is as if they had seen her wear that very veil and that very shirt of hair. They inspect the room in which she lived, and point to the bedstead and the packets of letters, and they tell how at first she could not at all learn to write, but that it came to her all at once without her having learnt it. And only look at her writing—how good and distinct! And then they point to the little bottle she used to carry at her belt, so as always to have a little medicine at hand in case she met a sick person, and they utter a blessing over the old lantern she held in her hand when she went and visited the sick in the long weary nights. It is just as if they would say: 'Dear me—dear me! that our little Caterina Benincasa should be gone, that she will never come any more and look after us old people!' And they kiss her picture, and take a flower from the bouquets to keep as a remembrance.

It looks as if those who were left in the home had long ago prepared themselves for the separation, and tried to do everything possible to keep alive the memory of the one who had gone away. See, there they have painted her on the wall; there is the whole of her little history represented in every detail. There she is when she cut off her beautiful long hair so that no man could ever fall in love with her, for she would never marry. Oh dear—oh dear! how much ridicule and scoffing she had suffered on that account! It is dreadful to think how her mother tormented her and treated her like a servant, and made her sleep on the stone floor in the hall, and would not give her any food, all because of her being so obstinate about that hair. But what was she to do when they continually tried to get her married—she who would have no other bridegroom than Christ? And there she is when she was kneeling in prayer, and her father coming into the room without her knowing it saw a beautiful white dove hovering over her head whilst she was praying. And there she is on that Christmas Eve when she had gone secretly to the Madonna's altar in order the more fully to rejoice over the birth of the Son of God, and the beautiful Madonna leaned out of her picture and handed the Child to her that she might be allowed to hold it for a moment in her arms. Oh, what a joy it had been for her!

Oh dear, no; it is not at all necessary to say that our little Caterina Benincasa is dead. One need only say that she has gone away with the Bridegroom.

In her home one will never forget her pious ways and doings. All the poor of Siena come and knock at her door because they know that it is the marriage-day of the little virgin, and large piles of bread lie in readiness for them as if she were still there. They have their pockets and baskets filled; had she herself been there, she could not have sent them away more heavily laden. She who had gone away had left so great a want that one almost wonders the Bridegroom had the heart to take her away with him.

In the small chapels which have been arranged in every corner of the house they read Mass the whole day, and they invoke the bride and sing hymns in her praise.