From a Swedish Homestead

by Selma Lagerlöf

She wondered why it was so dark in the room where she lay. There had been a light all the other nights during her illness. And then they had let the blankets fall off the bed. She was lying there getting as cold as ice. She raised herself a little to pull the blankets over her. In doing so she knocked her head against the lid of the coffin, and fell back with a little scream of pain. She had knocked herself rather severely, and immediately became unconscious again. She lay as motionless as before, and it seemed as if life had again left her.

The Dalar man, who had heard both the knock and the cry, immediately laid down his violin and sat listening; but there was nothing more to be heard—nothing whatever. He began again to look at the coffin as attentively as before. He sat nodding his head, as if he would say 'Yes' to what he was himself thinking about, namely, that nothing in this world was to be depended upon. Here he had had the best and most silent of comrades, but had he not also been disappointed in him?

He sat and looked at the coffin, as if trying to see right through it. At last, when it continued quite still, he took his violin again and began to play. But the violin would not play any longer. However gently and tenderly he drew his bow, there came forth no melody. This was so sad that he was nearly crying. He had intended to sit still and listen to his violin the whole day, and now it would not play any more.

He could quite understand the reason. The violin was uneasy and afraid of what had moved in the coffin. It had forgotten all its melodies, and thought only of what it could be that had knocked at the coffin-lid. That is how it is one forgets everything when one is afraid. He saw that he would have to quiet the violin if he wanted to hear more.

He had felt so happy, more so than for many years. If there was really anything bad in the coffin, would it not be better to let it out? Then the violin would be glad, and beautiful flowers would again grow out of it.

He quickly opened his big pack, and began to rummage amongst his knives and saws and hammers until he found a screw-driver. In another moment he was down in the grave on his knees and unscrewing the coffin-lid. He took out one screw after the other, until at last he could raise the lid against the side of the grave; at the same moment the handkerchief fell from off the face of the apparently dead girl. As soon as the fresh air reached Ingrid, she opened her eyes. Now she saw that it was light. They must have removed her. Now she was lying in a yellow chamber with a green ceiling, and a large chandelier was hanging from the ceiling. The chamber was small, but the bed was still smaller. Why had she the sensation of her arms and legs being tied? Was it because she should lie still in the little narrow bed? It was strange that they had placed a hymn-book under her chin; they only did that with corpses. Between her fingers she had a little bouquet. Her adopted mother had cut a few sprigs from her flowering myrtle, and laid them in her hands. Ingrid was very much surprised. What had come to her adopted mother? She saw that they had given her a pillow with broad lace, and a fine hem-stitched sheet. She was very glad of that; she liked to have things nice. Still, she would rather have had a warm blanket over her. It could surely not be good for a sick person to lie without a blanket. Ingrid was nearly putting her hands to her eyes and beginning to cry, she was so bitterly cold. At the same moment she felt something hard and cold against her cheek. She could not help smiling. It was the old, red wooden horse, the old three-legged Camilla, that lay beside her on the pillow. Her little brother, who could never sleep at night without having it with him in his bed, had put it in her bed. It was very sweet of her little brother. Ingrid felt still more inclined to cry when she understood that her little brother had wanted to comfort her with his wooden horse.

But she did not get so far as crying. The truth all at once flashed upon her. Her little brother had given her the wooden horse, and her mother had given her her white myrtle flowers, and the hymn-book had been placed under her chin, because they had thought she was dead.

Ingrid took hold of the sides of the coffin with both hands and raised herself. The little narrow bed was a coffin, and the little narrow chamber was a grave. It was all very difficult to understand. She could not understand that this concerned her, that it was she who had been swathed like a corpse and placed in the grave. She must be lying all the same in her bed, and be seeing or dreaming all this. She would soon find out that this was no reality, but that everything was as usual.

All at once she found the explanation of the whole thing—'I often have such strange dreams. This is only a vision'—and she sighed, relieved and happy. She laid herself down in her coffin again; she was so sure that it was her own bed, for that was not very wide either.