The nursery at Mårbacka was a light, warm, spacious room—the best in the whole house. But, unhappily, it was a gable-room, and to get there one had first to go out into the lower front hall, then up a flight of steps and across a big attic. The attic stairs were steep, and difficult for little feet to climb. Now the former nursemaid used to take a child on her arm and carry it up, but Back-Kaisa didn’t seem to know enough for that. And it was positively terrifying to walk the length of that attic—above all, after dark! So it seemed almost necessary that little hands should have a large hand to slip into. But Back-Kaisa, who had been accustomed to the dark of the wild forest, probably thought the attic at Mårbacka a nice safe place. She just stalked on and never so much as put out a hand. One was glad if one could even catch hold of a corner of her skirt.
The beds in which the three children slept had been made by the clever old carpenter at Askersby, and they were quite decorative, with a little row of spindles across each headboard; but they were in two sections that pulled out and pushed in like a drawer. Large as the nursery was, the three beds when open took up a lot of space; so it was well they could be folded during the day. Now that in itself was all right, but the clever old carpenter had somehow managed to make the beds in such a way that they sometimes sprang apart in the dead of the night.
When that happened, you were of course startled out of your sweetest slumber. Finding your bed cut off in the middle, you drew yourself into the upper end and tried to catch back sleep again. But somehow it would not come. After a while you stretched out your legs and let them dangle. In that position you lay waiting for the Sandman till you were as wide awake as in broad day. Then at last you decided to get up and try to push the two parts together. When you had apparently succeeded and had got the bedclothes nicely straightened, you crept back into bed as cautiously as possible, and stretched out once more with a feeling of satisfaction. All went well, sleep came stealing on, then a careless turn and—crickety-crash!—the bed was apart again ... which put an end to all hope of getting any sleep that night.
But Back-Kaisa slept peacefully through it all. It did not occur to any of the little ones that they might awaken her and ask for help. The former nursemaid had always jumped up the instant a bed broke down, and quickly fixed it without having to be asked.
Just over the nursery there was a little lumber-loft full of discarded looms and spinning-wheels, and amid all that old rubbish lived an owl.
At night that owl made a dreadful racket. To the children’s ears it sounded as if someone were rolling big, heavy logs over their heads. The former nursemaid used to laugh at them when they were frightened by the noise, and say there was nothing to be scared about—it was only the owl. But Back-Kaisa, who hailed from the forest, was afraid of all animals, furred and feathered. They were to her like evil spirits. So, whenever she was awakened in the night by the owl she would take out her prayer book and begin to read. Indeed she could not soothe the children; on the contrary, she terrified them so that the poor little owl grew into a huge monster with tiger-claws and eagle-wings. No words can picture how they lay shuddering to the very roots of their being at the thought of having a horrible ogre like that right above them. What if it should tear a hole through the ceiling with its great claws, and come swooping down...!
It can never be said of Back-Kaisa that she neglected the children, or beat them. But was that anything much? True, the former nursemaid had not been so particular about keeping them neat and clean; but she was oh, so good to them!
The children had three little wooden chairs which they regarded as their greatest treasure. These had been presented to them by the clever old carpenter of Askersby. Whether they were meant as compensation for his failure with the beds, they did not know, but they rather thought so. At any rate, the chairs were not failures. They were both light and strong, and could be used as tables and sleds. The children could ride them all around the room, stand upon them and jump to the floor, or lay them down and play they were a cow shed, a stable, or a rabbit hutch. Oh, there was nothing they could not be used for!
Why the children prized those chairs so highly could be seen at a glance by turning them upside down. On the bottom of each chair was the portrait of its owner. On one was Johan, a boy in blue with a long riding whip in his hand; on another posed Anna, a dainty little maid in a red frock and yellow leghorn hat—sniffing at a nosegay; while on the third was Selma, a tiny tot in a blue dress and striped apron, but with nothing in her hand and nothing on her head.
Now these portraits had been painted there to show to whom the chairs belonged, and the children regarded them as their property in quite a different sense from wearing apparel and other things they received from their parents. Their clothes travelled from one to another, and their nice toys were either locked away or set up on the corner bracket in the parlour; but the chairs, which bore their likenesses—who would have thought of depriving them of these?