The Girl from the Marsh Croft

by Selma Lagerlöf

Here the traveller made another pause to let the guide interpret for the soothsayer. But this appeared to be well-nigh useless labor. Mesullam sat all the while, with his hands on his sides, rocking back and forth, and with his eyes half closed. He seemed to want to say: "Inasmuch as I cannot escape these importunate people, at least I will let them see that I don't care to listen to what they have to say. I'll try and rock myself to sleep. It will be the best way to show them how little I care about them."

The guide intimated to the traveller that all their trouble would be in vain and they wouldn't hear a sensible word from Mesullam while he was in this mood. But the European stranger seemed to be entranced by Mesullam's indescribable ugliness and extraordinary behavior. He looked at him with the pleasure of a child when it is watching a wild animal in a menagerie, and he desired to continue the interview.

"Tell him that I wouldn't have troubled him to interpret this dream," he said, "had it not, in a certain sense, come to me again. Let him know that two weeks ago I visited the Sophia Mosque at Constantinople, and that I, after wandering through this magnificent building, stepped up on a minaret in order to get a better view of the auditorium. Tell him, also, that they allowed me to come into the mosque during a service, when it was filled with people. Upon each of the innumerable prayer rugs which covered the whole floor of the main hall, a man was standing and saying his prayers. All who took part in the service simultaneously made the same movements. All fell upon their knees and threw themselves on their faces and raised themselves, at the same time whispering their prayers very low; but from the almost imperceptible movements of so many lips came a mysterious murmur, which rose toward the high arches and died away, time and again. Then there came melodious responses from remote passages and galleries. It was so strange altogether that one wondered if it was not the Spirit of God that poured into the old sanctuary."

The traveller made another pause. He observed Mesullam carefully, while the guide interpreted his speech. It actually appeared as if he had tried to win the negro's approbation with his eloquence. And it seemed, too, as though he would succeed, for Mesullam's half-closed eyes flashed once, like a coal that is beginning to take fire. But the soothsayer, stubborn as a child that will not let itself be amused, dropped his head on his breast and began an even more impatient rocking of his body.

"Tell him," resumed the stranger, "tell him that I have never seen people pray with such fervor! To me it seemed as if it was the sublime beauty of this marvellous structure which created this atmosphere of ecstasy. Verily this is still an Islam bulwark! This is the home of devoutness! From this great mosque emanate the faith and enthusiasm which make Islam a mighty power."

Here he paused again, noting carefully Mesullam's play of features during its interpretation. Not a trace of interest was discernible in them. But the stranger was evidently a man who liked to hear himself talk. His own words intoxicated him; he would have become ill-natured had he not been allowed to proceed.

"Well," said he, when it was his turn again to speak, "I cannot rightly explain what happened to me. Possibly the faint odor from the hundreds of oil lamps, together with the low murmurings of the devotees, lulled me into a kind of stupefaction. I could not help but close my eyes as I stood leaning against a pillar. Soon sleep, or rather insensibility, overcame me. Probably it did not last more than a minute, but during this interval I was entirely removed from reality. While in this trance I could see the whole Sophia Mosque before me, with all the praying people; but now I saw what I had not hitherto observed. Up in the dome were scaffoldings, and on these stood a number of workmen with paint pots and brushes.

"Tell him, if he does not already know it," continued the narrator, "that Sophia Mosque was once a Christian church, and that its arches and dome are covered with sacred Christian mosaics, although the Turks have painted out all these pictures with plain yellow paint. And it appeared to me as if the yellow paint in the dome had peeled off in a couple of places and that the painters had clambered up on the scaffolding to touch up the picture. But, look! when one of them raised his brush to fill in the color, another large piece scaled off, and suddenly one saw from behind it a beautiful painting of the Christ emerge. Again the painter raised his arm to paint out the picture, but the arm, which appeared to be numb and powerless, dropped down before this beautiful face; at the same time the paint dropped from the entire dome and arch, and Christ was visible there in all his glory, among angels and heavenly hosts. Then the painter cried out, and all the worshippers down on the floor of the mosque raised their heads. And when they saw the heavenly hosts surrounding the Saviour, they sent up a cry of joy, and when I witnessed this joy, I was seized with such strong emotion that I waked instantly. Then everything was like itself. The mosaics were hidden under the yellow paint and the devotees continued all the while to invoke Allah."

When the interpreter had translated this, Mesullam opened one eye and regarded the stranger. He saw a man who he thought resembled all other Occidentals that wandered through the mosque. "I don't believe the pale-faced stranger has seen any visions," thought he. "He has not the dark eyes that can see what is behind the veil of mystery. I think, rather, that he came here to make sport of me. I must beware lest on this accursed day I be overtaken by another humiliation."

The stranger spoke anon: "You know, O Dream Interpreter!" turning now direct to Mesullam, as if he thought that he could understand him, despite his foreign tongue—"you know that a distinguished foreigner is visiting Jerusalem at present, and on his account they have talked of opening the walled-up gate in Jerusalem's ring-wall—the one they call 'the Golden' and which is believed to be the gate through which Jesus rode into Jerusalem on Palm Sunday. They have actually been thinking of doing the distinguished traveller the honor of letting him ride into the city through a gate which has been walled up for centuries; but they were held back by an old prophecy which foretells that when this gate is opened the Occidentals will march in through it to take possession of Jerusalem.