Donna Micaela looked at the image for a moment with stupefaction. Then she smiled and said: “Lend me the image for a few days, Fra Felice!”
“You can take it and keep it,” said the old man. “May it never come before my eyes again!”
Donna Micaela took the image home and worked on it for two days. When she then sent it to Fra Felice it shone with newly polished shoes; it had a fresh, clean dress; it was painted, and in its crown shone bright stones of many colors.
He was so beautiful, the outcast, that Fra Felice placed him on the empty altar in his church.
It was very early one morning. The sun had not risen, and the broad sea was scarcely visible. It was really very early. The cats were still roaming about the roofs; no smoke rose from the chimneys; and the mists lay and rolled about in the low valley round the steep Monte Chiaro.
Old Fra Felice came running towards the town. He ran so fast that he thought he felt the mountain tremble beneath him. He ran so fast that the blades of grass by the roadside had no time to sprinkle his cloak with dew; so fast that the scorpions had no time to lift their tails and sting him.
As the old man ran, his cloak flapped unfastened about him, and his rope swung unknotted behind. His wide sleeves waved like wings, and his heavy hood pounded up and down on his back, as if it wished to urge him on.
The man in the custom-office, who was still asleep, woke and rubbed his eyes as Fra Felice rushed by, but he had no time to recognize him. The pavements were slippery with dampness; beggars lay and slept by the high stone steps with their legs heedlessly stretched out into the street; exhausted domino-players were going home from the Café reeling with sleep. But Fra Felice hastened onward regardless of all obstructions.
Houses and gateways, squares and arched-over alleys disappeared behind old Fra Felice. He ran half-way up the Corso before he stopped.