When Donna Emilia opened the ticket-office to sell tickets for the second performance of “The Old Martyrdom,” the people stood in line to get places; the second evening the theatre was so overcrowded that people fainted in the crush, and the third evening people came from both Adernó and Paternó to see the beloved tragedy. Don Antonio foresaw that he would be able to play it a whole month for double price, and with two performances every evening.
How happy they were, he and Donna Emilia, and with what joy and gratitude they laid twenty-five lire in the collection-box of the little image!
In Diamante the incident caused great surprise, and many came to Donna Elisa to find out if she believed that the saint wished them to support Donna Micaela.
“Have you heard, Donna Elisa,” they said, “that Don Antonio Greco has been helped by the Christchild in San Pasquale, because he promised to give the receipts of one evening to Donna Micaela’s railway?”
But when they asked Donna Elisa about it, she shut her mouth and looked as if she could not think of anything but her embroidery.
Fra Felice himself came in and told her of the two miracles the image had already worked.
“Signorina Tottenham was very stupid to let the image go, if it is such a miracle-worker,” said Donna Elisa.
So they all thought. Signorina Tottenham had owned the image many years, and she had not noticed anything. It probably could not work miracles; it was only a coincidence.
It was unfortunate that Donna Elisa would not believe. She was the only one of the old Alagonas left in Diamante, and the people followed her, more than they themselves knew. If Donna Elisa had believed, the whole town would have helped Donna Micaela.