Behind the broad bed’s silken curtains sleep the major and the major’s wife, sleep and believe that the bachelors’ wing sleeps. The men-servants and maids can sleep, heavy with feasting and the bitter Christmas ale; but not their masters in the bachelors’ wing. How can any one think that the bachelors’ wing sleeps?

Sleeps, sleeps (oh, child of man, sleeps!), when the pensioners are awake. The long tongs stand upright on the floor, with tallow candles in their claws. From the mammoth kettle of shining copper flames the blue fire of the burning brandy, high up to the dark roof. Beerencreutz’s horn-lantern hangs on the forge-hammer. The yellow punch glows in the bowl like a bright sun. The pensioners are celebrating Christmas eve in the smithy.

There is mirth and bustle. Fancy, if the major’s wife should see them!

What then? Probably she would sit down with them and empty a bumper. She is a doughty woman; she’s not afraid of a thundering drinking-song or to take a hand at kille.[1] The richest woman in Värmland, as bold as a man, proud as a queen. Songs she loves, and sounding fiddles, and the hunting-horn. She likes wine and games of cards, and tables surrounded by merry guests are her delight. She likes to see the larder emptied, to have dancing and merry-making in chamber and hall, and the bachelors’ wing full of pensioners.

See them round about the bowl! Twelve are they, twelve men. Not butterflies nor dandies, but men whose fame will not soon die out in Värmland; brave men and strong.

Not dried-up parchment, nor close-fisted money-bags; poor men, without a care, gentlemen the whole day long.

No mother’s darlings, no sleepy masters on their own estates. Wayfaring men, cheerful men, knights of a hundred adventures.

Now for many years the bachelors’ wing has stood empty. Ekeby is no longer the chosen refuge of homeless gentlemen. Pensioned officers and impoverished noblemen no longer drive about Värmland in shaky one-horse vehicles. But let the dead live, let them rise up in their glad, careless, eternal youth!

All these notorious men could play on one or several instruments. All were as full of wit and humor and conceits and songs as an ant-hill is full of ants; but each one had his particular great quality, his much esteemed merit which distinguished him from the others.

First of all who sit about the bowl will I name Beerencreutz, the colonel with the great white moustaches, player of cards, singer of songs; and next to him, his friend and brother in arms, the silent major, the great bear hunter, Anders Fuchs; and, as the third in order, little Ruster, the drummer, who had been for many years the colonel’s servant, but had won the rank of pensioner through his skill in brewing punch and his knowledge of thorough-bass. Then may be mentioned the old ensign, Rutger von Örneclou, lady-killer, dressed in stock and wig and ruffles, and painted like a woman,—he was one of the most important pensioners; also Christian Bergh, the mighty captain, who was a stalwart hero, but as easy to outwit as a giant in the fairy story. In these two men’s company one often saw the little, round Master Julius, witty, merry, and gifted, speaker, painter, songster, and storyteller. He often had his joke with the gout-crippled ensign and the dull giant.