After a terrible internal combat the man yields to this unknown will which is oppressing him. A traitor to his party, he decides to become the companion of this painted girl, with whom he then gets drunk.

"As long as I am in the shadows," he murmurs with the sombre resignation of an Andreyev hero, "I might as well remain there."

At dawn, the police come to arrest him. And while his friend tries desperately to resist the agents of the force, he contemplates the brutal scene with an ironic smile.


"The Seven Who Were Hanged," written in 1908, right after the executions at Kherson and Warsaw, shows us pictures of terror and fright aptly described by the genius of Andreyev. This work has prodigious color and strength, and one experiences deep emotions on reading it. Five terrorists, captured at the very moment when they are going to assassinate a minister, and two criminals, are condemned to be hanged on the same day. The writer shows them to us tortured by the most horrible anguish, that which immediately precedes death. The word "madness" appears on every page: mystical madness of hallucination that hears music and voices, such is that of the young revolutionary Moussya; then there is the brutal madness of her comrades Kashirine and Golovine, who are ready to scream with terror; the madness of the victims, the frenzy of the executioners.

The night before the execution the prisoners are visited by their relatives. The farewell which Serge Golovine takes of his family is rightly considered one of the most poignant and most cleverly constructed scenes that Andreyev has ever written.

Followed by his mother, who totters along, Serge's father, a retired colonel, enters the room where visitors are received. Serge does not know that the colonel spent the whole night in preparing for this meeting. He has told his wife what to do: embrace her son, keep from crying, and say nothing. But the unhappy mother in the presence of her son cannot control her emotions; her eyes are strained and she breathes faster and faster.

"Don't torture him!" commands the colonel.

Several stupid and insignificant words are exchanged in order to hide the terrible suffering that they all are going through. The visit ends: the parents must bid their son good-bye forever. The mother gives her son a short kiss, then she shakes her head and murmurs, trembling:

"'No, it is not that! It is not that!'