Mrs. Child's letters from 1838 to 1841 are dated from Northampton, where she is assisting to work out the "Beet Sugar" experiment. It would have been a rather grinding experience to any one with less cheerfulness than Mrs. Child. She writes, June 9, 1838, "A month elapsed before I stepped into the woods which were all around me blooming with flowers. I did not go to Mr. Dwight's ordination, nor have I yet been to meeting. He has been to see me however, and though I left my work in the midst and sat down with a dirty gown and hands somewhat grimmed, we were high in the blue in fifteen minutes." Mr. Dwight was Rev. John S. Dwight, Brook Farmer, and editor of Dwight's Journal of Music.
Half of her published letters are addressed to Mr. or Mrs. Francis G. Shaw, parents of Col. Robert G. Shaw. Here is one in 1840, to Mr. Shaw, after she had made a trip to Boston. It will be interesting as presenting a new aspect of Mrs. Child's nature: "The only thing, except meeting dear friends, that attracted me to Boston was the exhibition of statuary.... I am ashamed to say how deeply I am charmed with sculpture: ashamed because it seems like affectation in one who has had such limited opportunity to become acquainted with the arts. I have a little figure of a caryatid which acts upon my spirit like a magician's spell.... Many a time this hard summer, I have laid down my dish-cloth or broom and gone to refresh my spirit by gazing on it a few minutes. It speaks to me. It says glorious things. In summer I place flowers before it; and I have laid a garland of acorns and amaranths at its feet. I do love every little bit of real sculpture."
Her other artistic passion was music, quite out of her reach at this period; but happily, she loved birds and flowers, both of which a Beet Sugar Farm in the Connecticut Valley made possible. A family of swallows made their nest in her woodshed, husband and wife dividing the labors of construction, nursing, and even of incubation, though the male bird did not have the same skill and grace as the lady, in placing his feet and wings. Mrs. Child gives a pretty account of this incident in a letter to one of her little friends, and says, "It seems as if I could watch them forever." Later, in one of her letters to the Boston Courier, she gives a more complete account of the episode. Her observations convinced her that birds have to be taught to fly, as a child is taught to walk.
When birds and flowers went, she had the autumn foliage, and she managed to say a new thing about it: it is "color taking its fond and bright farewell of form—like the imagination giving a deeper, richer, and warmer glow to old familiar truths before the winter of rationalism comes and places trunk and branches in naked outline against the cold, clear sky."
Whether she had been living hitherto in a "rent" we are not told, but in a letter of February 8, 1841, she informs us that she is about to move to a farm on which "is a sort of a shanty with two rooms and a garret. We expect to whitewash it, build a new woodshed, and live there next year. I shall keep no help, and there will be room for David and me. I intend to half bury it in flowers."
There is nothing fascinating in sordid details, but Mrs. Child in the midst of sordid details, is glorious. A month before this last letter, her brother, Prof. Francis, had written her apparently wishing her more congenial circumstances; we have only her reply, from which it appears her father is under her care. She declines her brother's sympathy, and wonders that he can suppose "the deadening drudgery of the world" can imprison a soul in its caverns. "It is not merely an eloquent phrase," she says, "but a distinct truth that the outward has no power over us but that which we voluntarily give it. It is not I who drudge; it is merely the case that contains me. I defy all the powers of earth and hell to make me scour floors and feed pigs, if I choose meanwhile to be off conversing with angels.... If I can in quietude and cheerfulness forego my own pleasures and relinquish my tastes, to administer to my father's daily comfort, I seem to those who live in shadows to be cooking food and mixing medicines, but I am in fact making divine works of art which will reveal to me their fair proportions in the far eternity." Besides this consolation, she says, "Another means of keeping my soul fresh is my intense love of nature. Another help, perhaps stronger than either of the two, is domestic love."
Her Northampton life was nearer an end than she supposed when she wrote these letters; she did not spend the next year in the little farm house with "two rooms and a garret"; on May 27th, she dates a letter from New York city, where she has gone reluctantly to edit the Anti-Slavery Standard. She had been translated from the sphere of "cooking food and mixing medicines" to congenial literary occupations; she had, let us hope, a salary sufficient for her urgent necessities; her home was in the family of the eminent Quaker philanthropist, Isaac T. Hopper, who received her as a daughter, and whose kindness she repaid by writing his biography. However the venture might come out, we would think her life could not well be harder or less attractive than it had been, drudging in a dilapidated farm house, and we are glad she is well out of it. Strange to say, she did not take our view of the situation. We have already seen how independent she was of external circumstances. In a letter referred to, dated May 27, she chides a friend for writing accounts of her outward life: "What do I care whether you live in one room or six? I want to know what your spirit is doing. What are you thinking, feeling, and reading?... My task here is irksome enough. Your father will tell you that it was not zeal for the cause, but love for my husband, which brought me hither. But since it was necessary for me to leave home to be earning somewhat, I am thankful that my work is for the anti-slavery cause. I have agreed to stay one year. I hope I shall then be able to return to my husband and rural home, which is humble enough, yet very satisfactory to me. Should the Standard be continued, and my editing generally desired, perhaps I could make an arrangement to send articles from Northampton. At all events, I trust the weary separation from my husband is not to last more than a year. If I am to be away from him, I could not be more happily situated than in Friend Hopper's family. They treat me the same as a daughter and a sister."
The Anti-Slavery Standard was a new enterprise; its editorship was offered to Mr. and Mrs. Childs jointly; Col. Higginson says that Mr. Child declined because of ill health; another authority, that he was still infatuated with his Beet Sugar, of which Mrs. Child had had more than enough; it appears from her letter that neither of them dreamed of abandoning the Sugar industry; if the enterprise was folly, they were happily united in the folly.
However, of the two, the Anti-Slavery Standard was the more successful enterprise, and at the end of the two years, Mr. Child closed out his Beet Sugar business and joined Mrs. Child in editing the paper. Mrs. Child edited the Standard eight years, six of which were in conjunction with Mr. Child. They were successful editors; they gave the Standard a high literary character, and made it acceptable to people of taste and culture who, whatever their sympathy with anti-slavery, were often repelled by the unpolished manners of Mr. Garrison's paper, The Liberator.
Something of her life outside the Standard office, something of the things she saw and heard and enjoyed, during these eight years, can be gathered from her occasional letters to the Boston Courier. They are interesting still; they will always be of interest to one who cares to know old New York, as it was sixty years ago, or from 1840 onward. That they were appreciated then is evident from the fact that, collected and published in two volumes in 1844, eleven editions were called for during the next eight years. Col. Higginson considers these eight years in New York the most interesting and satisfactory of Mrs. Child's life.