Whatever disappointments and privations the enterprise had in store for their parents, the situation, with its little daily bustle, its limitless range of fields and woods, its flower hunting and berry picking, was full of interest and charm for four healthy children all under the age of twelve years. The fateful December, to which Mr. Emerson postponed his judgment, had not come before the elders were debating a dissolution of the community. "Father asked us if we saw any reason for us to separate," writes Louisa in her journal. "Mother wanted to, she is so tired. I like it." Of course she did; but "not the school part," she adds, "nor Mr. L.", who was one of her teachers. The inevitable lessons interfered with her proper business.

"Fruitlands" continued for three years with declining fortunes, its lack of promise being perhaps a benefit to the family in saving for other purposes a small legacy which Mrs. Alcott received from her father's estate. With this and a loan of $500 from Mr. Emerson, she bought "The Hillside" in Concord, an estate which, after the Alcotts, was occupied by Mr. Hawthorne. Thither Mrs. Alcott removed with her family in 1846, and the two years that followed is the period which Louisa looked back upon as the happiest of her life, "for we had," she says, "charming playmates in the little Emersons, Channings, Hawthornes, and Goodwins, with the illustrious parents and their friends to enjoy our pranks and share our excursions." Here the happy girlish life was passed which is so charmingly depicted in "Little Women," and here at the age of sixteen, Louisa wrote, for the entertainment of the little Alcotts and Emersons, a series of pretty fairy tales, still to be read in the second volume of Lulu's Library.

Much as there was to enjoy in these surroundings, the problem of subsistence had not been solved and, with the growth of her daughters toward womanhood, it became more difficult for Mrs. Alcott. The world had, apparently, no use for Mr. Alcott; there were six persons to be fed and clothed, and no bread-winner in the family. The story is that one day, a friend found her in tears and demanded an explanation. "Abby Alcott, what does this mean?" asked the visitor, and when Mrs. Alcott had made her confessions, her friend said, "Come to Boston and I will find you employment."

Accepting the proposition, the family removed to Boston in 1848, and Mrs. Alcott became the agent of certain benevolent societies. Mr. Alcott taught private classes, or held "conversations"; the older daughters, Anna and Louisa, found employment; and we may think of the family as fairly comfortable during the seven or eight years of its life in Boston. "Our poor little home," says Miss Alcott, "had much love and happiness in it, and was a shelter for lost girls, abused wives, friendless children, and weak and wicked men. Father and mother had no money to give but they gave time, sympathy, help; and if blessings would make them rich, they would be millionaires." Fugitive slaves were among the homeless who found shelter, one of whom Mrs. Alcott concealed in an unused brick oven.

In Miss Alcott's journal of this period, we find the burden of existence weighing very heavily upon her, a state of mind apparently induced by her first experience in teaching. "School is hard work," she says, "and I feel as though I should like to run away from it. But my children get on; so I travel up every day and do my best. I get very little time to write or think, for my working days have begun." Later, she seems to have seen the value of this experience. "At sixteen," she writes, "I began to teach twenty pupils and, for ten years, I learned to know and love children."

Amateur theatricals were still the recreation of the Alcott girls, as they had been almost from infancy, and the stage presented a fascinating alternative to the school-room. "Anna wants to be an actress and so do I," writes Louisa at seventeen. "We could make plenty of money perhaps, and it is a very gay life. Mother says we are too young and must wait. Anna acts splendidly. I like tragic plays and shall be a Siddons if I can. We get up harps, dresses, water-falls, and thunder, and have great fun." Both of the sisters wrote many exciting dramas at this period, and one of Louisa's, "The Rival Prima Donnas," was accepted by the manager of the Boston Theatre, who "thought it would have a fine run" and sent the author a free pass to the theatre, which partly compensated for the non-appearance of the play. Some years later, a farce written by Louisa, "Nat Bachelor's Pleasure Trip, or the Trials of a Good-Natured Man," was produced at the Howard Athenæum, and was favorably received. Christie's experience as an actress, in Miss Alcott's novel entitled, "Work," is imaginary in its incidents, but autobiographical in its spirit.

All these experiments in dramatic literature, from Jack the Giant-Killer on, were training the future story-teller. Miss Alcott's first story to see the light was printed in a newspaper at the age of twenty, in 1852, though it had been written at sixteen. She received $5.00 for it, and the event is interesting as the beginning of her fortune. This little encouragement came at a period of considerable trial for the family. The following is from her journal of 1853: "In January, I started a little school of about a dozen in our parlor. In May, my school closed and I went to L. as second girl. I needed the change, could do the wash, and was glad to earn my $2.00 a week." Notice that this is her summer vacation. "Home in October with $34.00 for my wages. After two days' rest, began school again with ten children." The family distributed themselves as follows: "Anna went to Syracuse to teach; father to the west to try his luck,—so poor, so hopeful, so serene. God be with him. Mother had several boarders. School for me, month after month. I earned a good deal by sewing in the evening when my day's work was done."

Mr. Alcott returned from the west, and the account of his adventures is very touching: "In February father came home. Paid his way, but no more. A dramatic scene when he arrived in the night. We were awakened by the bell. Mother flew down crying, My Husband. We rushed after and five white figures embraced the half-frozen wanderer who came in, hungry, tired, cold, and disappointed, but smiling bravely and as serene as ever. We fed and warmed and brooded over him, longing to ask if he had made any money; but no one did till little May said, after he had told us all the pleasant things, 'Well, did people pay you?' Then with a queer look he opened his pocket book, and showed one dollar, saying with a smile, 'Only that. My overcoat was stolen, and I had to buy a shawl. Many promises were not kept, and traveling is costly; but I have opened the way, and another year shall do better.' I shall never forget how beautifully mother answered him, though the dear, hopeful soul had built much on his success: but with a beaming face she kissed him, saying, 'I call that doing very well. Since you are safely home, dear, we don't ask anything else.'"

One of Miss Alcott's unfulfilled purposes was to write a story entitled "The Pathetic Family." This passage would have found a place in it. It deserves to be said that Mr. Alcott's faith that he had "opened a way and another year should do better," was justified. Fifteen years later, from one of his western tours, he brought home $700, but, thanks to Louisa's pen, the family were no longer in such desperate need of money.

More than once Miss Alcott declares that no one ever assisted her in her struggles, but that was far from true, as appears from many favors acknowledged in her journal. It was by the kindness of a lady who bought the manuscripts and assumed the risk of publication, that her first book, "Flower Fables," was brought out in 1854. It consisted of the fairy tales written six years before for the little Emersons. She received $32.00, a sum which would have seemed insignificant thirty years later when, in 1886, the sale of her books for six months brought her $8,000; but she says, "I was prouder over the $32.00 than over the $8,000."