When Martin Cosgrave walked out of the room the carpenter and a neighbour boy were arguing about something at the foot of the stairs.
"It's too steep, I'm telling you," the boy was saying.
"What do you know about it?"
"I know this much about it, that if a little child came running down that stairs he'd be apt to fall and break his neck."
Then the two men went out, still arguing.
Martin Cosgrave sat down on one of the steps of the stairs. A child running down the steps! His child! A child bearing his name! He would be prattling about the building. He would run across that landing, swaying and tottering. His little voice would fill the building. Arms would be reaching out to him. They would be the soft white arms of Rose Dempsey, or maybe, they would be the arms that raised up the building—his own strong arms. Or it might be that he would be carrying down the child and handing him over the rails there into the outspread arms of Rose Dempsey. She would be reaching out for the child with the newly-kindled light of motherhood in her eyes, the passion of a young mother in her welcoming voice. A child with his very name—a child that would grow up to be a man and hand down the name to another, and so on during the generations. And with the name would go down the building, the building that would endure, that would live, that was immortal. Did it all come to him as a sudden revelation, springing from the idle talk of a neighbour boy brought up to work from one season to another? Or was it the same thing that was behind the forces that had fired him while he had worked at the building? Had it not all come into his life the evening he stood among his fields with his eyes on the crest of the hill?
Ah, there had been a great building surely, a building standing up on the hill, a great, a splendid building raised up to the sight of all the world, and with it a greater building, a building raised up from the sight of all men, the building of a name, the moulding of hearts that would beat while Time was, a building of immortal souls, a building into which God would breathe His breath, a building which would be heard of in Heaven, among the angels, through all the eternities, a building living on when all the light was gone out of the sun, when oceans were as if they had never been, a name, a building, living when the story of all the worlds and all the generations would be held written upon a scroll in the lap of God.... The face of the dreamer as he abandoned himself to his thoughts was pallid with a half-fanatical emotion.
The neighbours were more awed than shocked at the change they saw increasing in Martin Cosgrave. He had grown paler and thinner, but his eyes were more tense, had in them, some of the neighbours said, the colour of the limestone. He was more and more removed from the old life. He walked his fields without seeing the things that made up the old companionship. His whole attitude was one of detachment from everything that did not savour of the crunch of stone, the ring of steel on the walls of a building. He only talked rationally when the neighbours spoke to him of the building. They had heard that he had gone to the money-lender, and mortgaged every perch of his land. "It was easy to know how work of the like would end," they said.
One day a stranger was driving by on his car, and when he saw the building he got down, walked up the hill, and made a long study of it. On his way down he met Martin Cosgrave.
"Who built the house on the hill?" he asked.