"He's got a garage full of cars now," says I, "and hardly ever steps into one himself. His fad is to stick to horses, you know."
More long-face business by J. Bayard. But he's a quick recoverer. "In that case," says he, "suppose I send over for a pair of Arabs, the best blood to be found, and have them put into his stable as a surprise?"
"Steele," says I, tappin' him encouragin' on the knee, "you've got the spendin' part down fine; but that alone don't fill the bill. As I take it, Pyramid meant for us to do more than just scatter around a lot of expensive gifts reckless like. 'Some kind and generous act,' is the way he put it. Let's remember that."
"But," says he, shruggin' his shoulders eloquent, "here is a man who has everything he wants, money enough to gratify every wish. How am I to do anything kind and generous for him?"
"That's all up to you," says I. "As a matter of fact, I don't believe there ever was anybody, no matter how rich, who had everything he wanted. There's always something, maybe so simple as to sound absurd, that he'd like and can't get. I'll bet it's that way with Twombley-Crane. Now if you don't know him well enough to find out, my advice would be to——"
"Oh, I know him well enough," breaks in J. Bayard, "even if he doesn't know me. I share the distinction with Gordon of having been, on one occasion, barred out of Twombley-Crane's office; only I got no farther than his private secretary. It meant a good deal to me at the time too, and wouldn't have hurt him at all. I merely wanted his firm to handle some bonds of a concern I was trying to promote. With merely a nod he could have opened the door of success for me. But he wouldn't. Oh, no! Played the rôle of haughty aristocrat, as usual, and never gave me another thought. But I managed to get back at him, in a small way."
"Oh, you did, eh?" says I.
"It was a couple of years later, in Paris," goes on Steele. "I was dining in one of those big cafés—Maxime's, I think,—when I recognized him at the next table. He was telling a friend of a find he'd made in an old printshop,—a pencil sketch by Whistler. He collects such things, I believe. Well, this was something he wanted very badly; but he'd happened to be caught without cash enough to pay for it. So he'd asked the dealer to put it aside until next day. There was my chance. I know something about etchings; own a few, in fact, although I'd never splurged on Whistlers. But I was on hand next morning when that shop opened, and for a bonus of twenty francs I persuaded the old pirate to sell me the sketch he was holding for Twombley-Crane. It was a beauty too; one of the half-dozen Whistler did in working up that portrait of his mother, perhaps his most famous piece. It's about the only sketch of the kind, too, not in a public gallery. How Twombley-Crane must have raved at that Frenchman! So, as the English put it, I did score off him a bit, you see."
"You sure did," says I. "That picture collection is what he's daffy over; even more so than over his horses. And right there, J. Bayard, is your cue."
"Eh?" says he, starin' puzzled.