I had to chase down to the station again then, to see that the chef's outfit was bein' loaded on the trucks; but I was cheered up by the thought of Forsythe balanced on top of a tall step-ladder with his mouth full of tacks and his collar gettin' wilty.
It's near an hour before I gets back, though. Do I find Forsythe in his shirt-sleeves climbin' around on the rafters? I do not. He's sittin' comfortable in a camp-chair on a fur motor robe, smokin' a cigarette calm, and surrounded by half a dozen classy young ladies that he's rounded up by 'phone from the nearest country club. The girls and three or four chauffeurs are doin' the work, while Forsythe is doin' the heavy directin'.
He'd sketched out his decoratin' scheme on the back of an envelop, and now he was tellin' 'em how to carry it out. The worst of it is, too, that he's gettin' some stunnin' effects and is bein' congratulated enthusiastic by the girls.
It's the same way with fixin' up the tables with ferns and flowers. Forsythe plans it out with a pencil, and his crew do the hustlin' around.
Course, I had to let it ride. Besides, there was a dozen other things for me to look after. But I'm good at a waitin' game. I kept my eye on Forsythe, to see that he didn't slip away. He was still there at two-thirty, havin' organized a picnic luncheon with the young ladies, when Miss Jane blew in. And blamed if she don't fall for Forsythe's stuff, too.
"Why, you've done wonders, Mr. Hurd," says she. "What a versatile genius you are? "
"Oh, that!" says he, wavin' a sandwich careless. "But it's an inspiration to be doing anything at all for you, Miss Gorman."
And here he hasn't so much as shed his overcoat.
It must have been half an hour later when Sig. Zaretti, the head chef, comes huntin' me out with a desperate look in his eyes. I was consultin' Miss Jane about borrowin' a piano from the Y. M. C. A. tent, but he kicks right in.
"Ah, I am distract," says he, puffin' out his cheeks. "Eet—eet ees too mooch!"