Makes an evenin' call quite an excitin' game; and when we work in a few minutes of hand-holdin', or I get away with a hasty clinch, why, that scores for our side. So, for a personally conducted affair, it ain't so poor. I'm missin' no dates, I notice. And tuck this away; if it was a case of Vee and a whole squad of aunts, or an uninterrupted two-some with one of these nobody-home dolls, I'd pick Vee and the gallery. Uh-huh! I'm just that good to myself.
All was goin' along smooth and merry, too, until one Wednesday night I discovers another lid ahead of mine on the hall table. It's a glossy silk tile, with a pair of gray castor gloves folded neat alongside. Seein' which I reaches past Helma for the silver card-tray.
"Huh!" says I under my breath. "Now, who the giddy gallowampuses is Clyde Creighton?"
"Vair nice gentlemans, Meester Creeton," whispers Helma.
"I know," says I; "you're judgin' by the hat."
She springs that silly grin of hers, as usual. No matter what I say, it gets open-faced motions out of Helma. But I really wasn't feelin' so humorous. Whoever he was, this Creighton guy had come the wrong evenin'. Course, I judged it must be Vee he's callin' on, and I wasn't strong for a three-handed session just then. There was something special I wanted to talk over with Vee this particular evenin', and I couldn't see why—
But, my first glimpse of Clyde soothes me down a lot. He has curly gray hair, also a mustache that's well frosted up. He's a tall, slim built party, with a wide black ribbon to tie him to his eyeglasses. Seems to be entertainin' Auntie.
"Ah!" says he, inspectin' me casual over the shell rims. "Mr. Ballard?" And, with a skimpy little nod, he turns back to Auntie and goes on where he broke off, leavin' me to shake hands with myself if I wanted to.
I expect it served me right, cuttin' in abrupt on such a highbrow conversation as that. Something about the pre-Raphael tendencies of the Barbizon school, I think.
Culture! Say, if I'm any judge, Claude was battin' about 400. It fairly dripped from him. Talk about broad o's—he spilled 'em easy and natural, a font to a galley; and he couldn't any more miss the final g than a telephone girl would overlook rollin' her r's. And such graceful gestures with the shell-rimmed glasses, wavin' 'em the whole length of the ribbon when he got real interested.