FUSELI AND HORACE WALPOLE.

Concerning his picture of Theodore and Honorio, Fuseli used to say, "Look at it—it is connected with the first patron I ever had." He then proceeded to relate how Cipriani had undertaken to paint for Horace Walpole a scene from Boccaccio's Theodore and Honorio, familiar to all in the splendid translation of Dryden, and, after several attempts, finding the subject too heavy for his handling, he said to Walpole, "I cannot please myself with a sketch from this most imaginative of Gothic fictions; but I know one who can do the story justice—a man of great powers, of the name of Fuseli." "Let me see this painter of yours," said the other. Fuseli was sent for, and soon satisfied Walpole that his imagination was equal to the task, by painting a splendid picture.

FUSELI AND THE BANKER COUTTS.

While Fuseli was laboring on his celebrated "Milton Gallery," he was frequently embarrassed by pecuniary difficulties. From these he was relieved by a steadfast friend—Mr. Coutts—who aided him while in Rome, and forsook him not in any of his after difficulties. The grateful painter once waited on the banker, and said, "I have finished the best of all my works—the Lazar House—when shall I send it home?" "My friend," said Mr. Coutts, "for me to take this picture would be a fraud upon you and upon the world. I have no place in which it could be fitly seen. Sell it to some one who has a gallery—your kind offer of it is sufficient for me, and makes all matters straight between us." For a period of sixty years that worthy man was the unchangeable friend of the painter. The apprehensions which the latter entertained of poverty were frequently without cause, and Coutts has been known on such occasions to assume a serious look, and talk of scarcity of cash and of sufficient securities. Away flew Fuseli, muttering oaths and cursing all parsimonious men, and having found a friend, returned with him breathless, saying, "There! I stop your mouth with a security." The cheque for the sum required was given, the security refused, and the painter pulled his hat over his eyes,

"To hide the tear that fain would fall"—

and went on his way.

FUSELI AND PROF. PORSON.

Fuseli once repeated half-a-dozen sonorous and well sounding lines in Greek, to Prof. Porson, and said,—