To begin with, it was a Liberal paper, and though the verses were of a strictly non-political kind, dealing chiefly with Amelia's eyes, it seemed to Reuben shockingly unprincipled to defile oneself in any way with Radical print. But even without that the thing was criminal and offensive.
"I wöan't have no hemmed poetry in my family!" stormed Reuben, for Albert had as usual stage-managed a "scene." "You've got your work to do, and you'll justabout do it."
"But fäather, it didn't täake up any of my time, writing that poem. I wrote it at my breakfast one mornun two months ago——"
"Yes, that's it—instead of spending twenty minnut at your breakfast, you spend forty. You idle away my time wud your hemmed tricks, and I wöan't have it, I tell you, I wöan't have it. Lord! when I wur your age, I wur running the whole of this farm alone—every ströak of work, I did it. I didn't go wasting time over my meals, and writing rubbidge fur low-down Gladstone päapers. Now döan't you go sassing me back, you young good-fur-nothing, or I'll flay you, surelye!"
Albert could not help a grudging admiration of his father. Reuben could be angry and fling threats, and yet keep at the same time a certain splendour, which no violence or vulgarity could dim. The boy, in spite of his verses, which were execrable enough, had a poet's eye for the splendid, and he could not be blind to the qualities of his father's tyranny, even though that tyranny crushed him at times. Reuben was now forty-three; a trifle heavier in build, perhaps, but otherwise as fine and straight a man as he had been at twenty. His clear brown skin, keen eyes, thick coal-black hair, his height, his strength, his dauntless spirit, could not fail to impress one in whom the sense of life and beauty was developing. Albert even once began a poem to his father:
"You march across the mangold field,
And all our limbs do shake...."
But somehow found the subject more difficult to grapple than the fascinations of Amelia.
With Richard things were different. He despised Reuben as bestial, and sometimes jeopardised his skin by nearly showing his contempt. He now had a peculiar friendship with Anne Bardon. They had met accidentally a second time, and deliberately half a dozen more. In Richard Anne had made a discovery—he appealed to her imagination, which ran on severe lines. She sympathised with his ambition to break free from the grind and grossness of Odiam, and resolved to help him as much as she could. She lent him books, and guided him with her superior knowledge and education.
Their meetings were secret, from her family as well as his. But they were dignified—there was no scurrying like rabbits. Richard's work kept him mostly on the Flightshot borders of Odiam, and often the grave Anne would walk down to the hedge, and help him construe Tacitus or parse from Ovid. There was an old tree by the boundary fence, in the hollow of which she put new books for him to find, and into which he would return those he had finished. She was very careful to maintain the right attitude towards him; he was always her humble servant, he never forgot to call her "ma'am."