Half an hour later, the inhabitants of Bush Street observe the same slender gentleman armed, like George Washington, with his little hatchet, splitting kindling, and breaking coal for his fire. He does this quasi-publicly upon the window-sill; but this is not to be attributed to any love of notoriety, though he is indeed vain of his prowess with the hatchet (which he persists in calling an axe), and daily surprised at the perpetuation of his fingers. The reason is this: that the sill is a strong, supporting beam, and that blows of the same emphasis in other parts, of his room might knock the entire shanty into hell. Thenceforth, for from three to four hours, he is engaged darkly with an ink-bottle. Yet he is not blacking his boots, for the only pair that he possesses are innocent of lustre and wear the natural hue of the material turned up with caked and venerable slush. The youngest child of his landlady remarks several times a day, as this strange occupant enters or quits the house, “Dere's de author.” Can it be that this bright-haired innocent has found the true clue to the mystery? The being in question is, at least, poor enough to belong to that honorable craft.
Notes.
The first of these two letters by Stevenson was written very early in his literary career, the second when he may be supposed to have been at the height of his powers. It is interesting to see to what extent he had improved his style.
Note now much suggestiveness (apart from the apparent meaning) is contained in such words and phrases as “the whole filthy embarkation;” “made very heavy weather of it” (speaking French); “Parc”; “artificial” (the peculiar meaning being indicated by italicizing); “pampered menial” (the reference being to just the opposite).
There is a peculiar mechanical sort of humor in omitting the word street after “Bush,” “Powell,” etc., and in giving the cost of his meal so elaborately—“ten cents, or fivepence sterling (£0 0s 5d).”
The chief source of fun is in giving small things an importance they do not deserve. The author is making fun at himself. Of course since he makes fun at himself it is good-natured; but it must be just as good-natured if one is to make fun of any one else. Addison was so successful because no suggestion of malice ever crept into his satire.
A LETTER TO BERNARD BARTON.
By Charles Lamb.
January 9, 1824.
Dear B. B.,—Do you know what it is to succumb under an insurmountable day-mare,—a “whoreson lethargy,” Falstaff calls it,—an indisposition to do anything or to be anything; a total deadness and distaste; a suspension of vitality; an indifference to locality; a numb, soporifical good-for-nothingness; an ossification all over; an oyster-like insensibility to the passing events; a mind-stupor; a brawny de-fiance to the needles of a thrust-in conscience? Did you ever have a very bad cold with a total irresolution to submit to water-gruel processes? This has been for many weeks my lot and my excuse. My fingers drag heavily over this paper, and to my thinking it is three-and-twenty furlongs from here to the end of this demi-sheet. I have not a thing to say, nothing is of more importance than another. I am flatter than a denial or a pancake; emptier than Judge Parke's wig when the head is in it; duller than a country stage when the actors are off it,—a cipher, an o! I acknowledge life at all only by an occasional convulsional cough, and a permanent phlegmatic pain in the chest. I am weary of the world; life is weary of me. My day is gone into twilight, and I don't think it worth the expense of candles. My wick bath a thief in it, but I can't muster courage to snuff it. I inhale suffocation; I can't distinguish veal from mutton; nothing interests me. 'Tis twelve o'clock, and Thurtell* is just now coming out upon the new drop, Jack Ketch alertly tucking up his greasy sleeves to do the last office of mortality; yet cannot I elicit a groan or a moral reflection. If you told me the world will be at an end tomorrow, I should say “Will it?” I have not volition enough left to dot my i's, much less to comb my eyebrows; my eyes are set in my head; my brains are gone out to see a poor relation in Moorfields, and they did not say when they'd come back again; my skull is a Grub-street attic to let,—not so much as a joint-stool left in it; my hand writes, not I, from habit, as chickens run about a little when their heads are cut off. Oh for a vigorous fit of gout, colic, toothache—an earwig{†}¤ in my auditory, a fly in my visual organs; pain is life,—the sharper the more evidence of life; but this apathy, this death! Did you ever have an obstinate cold, a six or seven weeks' unintermitting chill and suspension of hope, fear, conscience, and everything? Yet do I try all I can to cure it. I try wine, and spirits, and smoking, and snuff in unsparing quantities; but they all only seem to make me worse, instead of better. I sleep in a damp room, but it does no good; I come home late o' nights, but do not find any visible amendment! Who shall deliver me from the body of this death?