The story-teller has got his audience leaning forward in their chairs. Outside the farmhouse in which they sit a wind begins to blow and a broken branch from a near-by tree is blown against the side of the house. The farmer, a heavy, stolid-looking man, starts a little and his wife shivers as with cold and Tilly is absorbed—she does not want to miss a word of the tale.
And now father is describing the darkness of the valley below the hill and the lights seen, far off. Will any of the little company of prisoners ever see their own homes again, their wives, their children, their sweethearts? The lights of the farmhouses in the valley are like stars in the sky of a world turned upside down.
The Rebel commander of the guard has issued a warning and a command: “It’s pretty dark here, and if any of the Yanks make a stir to move out of the centre of the road fire straight into the mass of them. Kill them like dogs.”
A feeling creeps over father. He is, you see, a southern man himself, a man of the Georgia hills and plains. There is no law that shall prevent his having been born in Georgia, although to-morrow night it may be North Carolina or Kentucky. But to-night his birthplace shall be Georgia. He is a man who lives by his fancy and to-night it shall suit his fancy and the drift of his tale to be a Georgian.
And so he, a prisoner of the Rebels, is being marched over the low hill, with the lights from distant farmhouses shining like stars in the darkness below, and suddenly a feeling comes to him, a feeling such as one sometimes has when one is alone in one’s own house at night. You have had the feeling. You are alone in the house and there are no lights and it is cold and dark. Everything you touch—feel with your hands in the darkness—is strange and at the same time familiar. You know how it is.
The farmer is nodding his head and his wife has her hands gripped, lying in her lap. Even Aldrich is awake now. The devil! Father has given this particular tale a new turn since he told it last. “This is something like.” Aldrich leans forward to listen.
And there is the woman Tilly, in the half darkness. See, she is quite lovely now, quite as she was on that evening when she rode with the horse dealer in the buggy! Something has happened to soften the long, harsh lines of her face and she might be a princess sitting there now in the half-light.
Father would have thought of that. It would be something worth while now to be a tale-teller to a princess. He stops talking to consider for a moment the possibilities of the notion, and then with a sigh gives it up.
It is a sweet notion but it won’t do. Tale-teller to a princess, eh! Evenings in a castle and the prince has come in from hunting in a forest. The tale-teller is dressed in flashy clothes and with a crowd of courtiers, ladies in waiting—whatever hangers-on a princess has—is sitting by an open fire. There are great, magnificent dogs lying about too.
Father is considering whether or not it is worth trying sometime—the telling of a tale of himself in just that rôle. An idea crosses his mind. The princess has a lover who creeps one night into the castle and the prince has become aware of his presence, is told of his presence by a trusty varlet. Taking his sword in hand the prince creeps through the dark hallways to kill his rival, but father has warned the lovers and they have fled. It afterward comes to the ears of the prince that father has protected the lovers and he—that is to say, father—is compelled to flee for his life. He comes to America and lives the life of an exile, far from the splendor to which he has been accustomed.