The night advances. Down a stairway beside a clothing store comes a woman with gleaming white teeth who is clad in a black dress. She makes a Peculiar little jerking movement with her head to the walker. A patrol wagon with clanging bells rushes through the street, two blue clad policemen sitting stiffly in the seat. A boy—he can't be above six—runs along the street pushing soiled newspapers under the noses of idlers on the corners, his shrill childish voice rises above the din of the trolley cars and the clanging notes of the patrol wagon.
The walker throws his cigar into the gutter and climbing the steps of a street car goes back to his hotel. His fine reflective mood is gone. He half wishes that something lovely might come into American life but the wish does not persist. He is only irritated and feels that a pleasant evening has been in some way spoiled. He is wondering if he will be successful in the business that brought him to the city. As he turns out the light in his room and putting his head upon the pillow listens to the noises of the city merged now into a quiet droning roar he thinks of the brick factory on the banks of the river in Ohio and as he falls into sleep the face of the red-haired man lowers at him from the factory door.
When McGregor returned to the city after the burial of his mother he began at once to try to put his idea of the marching men into form. For a long time he did not know how to begin. The idea was vague and shadowy. It belonged to the nights in the hills of his own country and seemed a little absurd when he tried to think of it in the daylight of North State Street in Chicago.
McGregor felt that he had to prepare himself. He believed that he could study books and learn much from men's ideas expressed in books without being overwhelmed by their thoughts. He became a student and quit the place in the apple-warehouse to the secret relief of the little bright-eyed superintendent who had never been able to get himself up to the point of raging at this big red fellow as he had raged at the German before McGregor's time. The warehouse man felt that during the meeting on the corner before the saloon on the day McGregor began to work for him something had happened. The miner's son had unmanned him. “A man ought to be boss in his own place,” he sometimes muttered to himself, as he walked in the passageways among rows of piled apple barrels in the upper part of the warehouse wondering why the presence of McGregor irritated him.
From six o'clock in the evening until two in the morning McGregor now worked as night-cashier in a restaurant on South State Street below Van Buren and from two until seven in the morning he slept in a room whose windows looked down into Michigan Boulevard. On Thursday he was free, his place being taken for the evening by the man who owned the restaurant, a small excitable Irishman by the name of Tom O'Toole.
McGregor got his chance to become a student through the bank account belonging to Edith Carson. The opportunity arose in this way. On a summer evening after his return from Pennsylvania he sat with her in the darkened store back of the closed screen door. McGregor was morose and silent. On the evening before he had tried to talk to several men at the warehouse about the Marching Men and they had not understood. He blamed his inability with words and sat in the half darkness with his face in his hands and looked up the street saying nothing and thinking bitter thoughts.
The idea that had come to him made him half drunk with its possibilities and he knew that he must not let it make him drunk. He wanted to begin forcing men to do the simple thing full of meaning rather than the disorganised ineffective things and he had an ever-present inclination to arise, to stretch himself, to run into the streets and with his great arms see if he could not sweep the people before him, starting them on the long purposeful march that was to be the beginning of the rebirth of the world and that was to fill with meaning the lives of men. Then when he had walked the fever out of his blood and had frightened the people in the streets by the grim look in his face he tried to school himself to sit quietly waiting.
The woman sitting beside him in a low rocking chair began trying to tell him of something that had been in her mind. Her heart jumped and she talked slowly, pausing between sentences to conceal the trembling of her voice. “Would it help you in what you want to do if you could quit at the warehouse and spend your days in study?” she asked.
McGregor looked at her and nodded his head absent-mindedly. He thought of the nights in his room when the hard heavy work of the day in the warehouse seemed to have benumbed his brain.