Change, and the thing men call growth, was in the air. Perhaps in its own way revolution was in the air, the silent, the real revolution that grew with the growth of the towns. In the stirring, bustling town of Bidwell that quiet summer night something happened that startled men. Something happened, and then in a few minutes it happened again. Heads wagged, special editions of daily newspapers were printed, the great hive of men was disturbed, under the invisible roof of the town that had so suddenly become a city, the seeds of self-consciousness were planted in new soil, in American soil.
Before all this began, however, something else happened. The first motor car ran through the streets of Bidwell and out upon the moonlit roads. The motor car was driven by Tom Butterworth and in it sat his daughter Clara with her husband Hugh McVey. During the week before, Tom had brought the car from Cleveland, and the mechanic who rode with him had taught him the art of driving. Now he drove alone and boldly. Early in the evening he had run out to the farmhouse to take his daughter and son-in-law for their first ride. Hugh sat in the seat beside him and after they had started and were clear of the town, Tom turned to him. “Now watch me step on her tail,” he said proudly, using for the first time the motor slang he had picked up from the Cleveland mechanic.
As Tom sent the car hurling over the roads, Clara sat alone in the back seat unimpressed by her father's new acquisition. For three years she had been married and she felt that she did not yet know the man she had married. Always the story had been the same, moments of light and then darkness again. A new machine that went along roads at a startlingly increased rate of speed might change the whole face of the world, as her father declared it would, but it did not change certain facts of her life. “Am I a failure as a wife, or is Hugh impossible as a husband?” she asked herself for perhaps the thousandth time as the car, having got into a long stretch of clear, straight road, seemed to leap and sail through the air like a bird. “At any rate I have married me a husband and yet I have no husband, I have been in a man's arms but I have no lover, I have taken hold of life, but life has slipped through my fingers.”
Like her father, Hugh seemed to Clara absorbed in only the things outside himself, the outer crust of life. He was like and yet unlike her father. She was baffled by him. There was something in the man she wanted and could not find. “The fault must be in me,” she told herself. “He's all right, but what's the matter with me?”
After that night when he ran away from her bridal bed, Clara had more than once thought the miracle had happened. It did sometimes. On that night when he came to her out of the rain it had happened. There was a wall a blow could shatter, and she raised her hand to strike the blow. The wall was shattered and then builded itself again. Even as she lay at night in her husband's arms the wall reared itself up in the darkness of the sleeping room.
Over the farmhouse on such nights dense silence brooded and she and Hugh, as had become their habit together, were silent. In the darkness she put up her hand to touch her husband's face and hair. He lay still and she had the impression of some great force holding him back, holding her back. A sharp sense of struggle filled the room. The air was heavy with it.
When words came they did not break the silence. The wall remained.
The words that came were empty, meaningless words. Hugh suddenly broke forth into speech. He spoke of his work at the shop and of his progress toward the solution of some difficult, mechanical problem. If it were evening when the thing happened the two people got out of the lighted house where they had been sitting together, each feeling darkness would help the effort they were both making to tear away the wall. They walked along a lane, past the barns and over the little wooden bridge across the stream that ran down through the barnyard. Hugh did not want to talk of the work at the shop, but could find words for no other talk. They came to a fence where the lane turned and from where they could look down the hillside and into the town. He did not look at Clara but stared down the hillside and the words, in regard to the mechanical difficulties that had occupied his mind all day, ran on and on. When later they went back to the house he felt a little relieved. “I've said words. There is something achieved,” he thought.
And now after the three years as a married woman Clara sat in the motor with her father and husband and with them was sent whirling swiftly through the summer night. The car ran down the hill road from the Butterworth farm, through a dozen residence streets in town and then out upon the long, straight roads in the rich, flat country to the north. It had skirted the town as a hungry wolf might have encircled silently and swiftly the fire-lit camp of a hunter. To Clara the machine seemed like a wolf, bold and cunning and yet afraid. Its great nose pushed through the troubled air of the quiet roads, frightening horses, breaking the silence with its persistent purring, drowning the song of insects. The headlights also disturbed the slumbers of the night. They flashed into barnyards where fowls slept on the lower branches of trees, played on the sides of barns sent the cattle in fields galloping away into darkness, and frightened horribly the wild things, the red squirrels and chipmunks that live in wayside fences in the Ohio country. Clara hated the machine and began to hate all machines. Thinking of machinery and the making of machines had, she decided, been at the bottom of her husband's inability to talk with her. Revolt against the whole mechanical impulse of her generation began to take possession of her.