The house faced a grove of pine trees and was reached by climbing a little rise and following a winding road out beyond the graveyard and the last of the village lights. The wild spring rain pounded and rattled on the tin roof overhead, and Sam, his back closely pressed against the front of the house, fought to regain control of his mind.
For an hour he stood there staring into the darkness and watched with delight the progress of the storm. He had—an inheritance from his mother—a love of thunderstorms. He remembered a night when he was a boy and his mother had got out of bed and gone here and there through the house singing. She had sung softly so that the sleeping father did not hear, and in his bed upstairs Sam had lain awake listening to the noises—the rain on the roof, the occasional crash of thunder, the snoring of Windy, and the unusual and, he thought, beautiful sound of the mother singing in the storm.
Now, lifting up his head, he looked about with delight. Trees in the grove in front of him bent and tossed in the wind. The inky blackness of the night was relieved by the flickering oil lamp in the road beyond the graveyard and, in the distance, by the lights streaming out at the windows of the houses. The light coming out of the house against which he stood made a little cylinder of brightness among the pine trees through which the raindrops fell gleaming and sparkling. An occasional flash of lightning lit up the trees and the winding road, and the cannonry of the skies rolled and echoed overhead. A kind of wild song sang in Sam’s heart.
“I wish it would last all night,” he thought, his mind fixed on the singing of his mother in the dark house when he was a boy.
The door opened and a woman stepped out upon the veranda and stood before him facing the storm, the wind tossing the soft kimono in which she was clad and the rain wetting her face. Under the tin roof, the air was filled with the rattling reverberation of the rain. The woman lifted her head and, with the rain beating down upon her, began singing, her fine contralto voice rising above the rattle of the rain on the roof and going on uninterrupted by the crash of the thunder. She sang of a lover riding through the storm to his mistress. One refrain persisted in the song—
“He rode and he thought of her red, red lips,”
sang the woman, putting her hand upon the railing of the little porch and leaning forward into the storm.
Sam was amazed. The woman standing before him was Mary Underwood, who had been his friend when he was a boy in school and toward whom his mind had turned after the tragedy in the kitchen. The figure of the woman standing singing before him became a part of his thoughts of his mother singing on the stormy night in the house and his mind wandered on, seeing pictures as he used to see them when a boy walking under the stars and listening to the talk of John Telfer. He saw a broad-shouldered man shouting defiance to the storm as he rode down a mountain path.
“And he laughed at the rain on his wet, wet cloak,” went on the voice of the singer.
Mary Underwood’s singing there in the rain made her seem near and likeable as she had seemed to him when he was a barefoot boy.