What is Busie thinking of now? Of the loving guest for whom she had waited, and who had come flying home so unexpectedly, after a long, long absence from home?... Or is she thinking of her mother, who married again, and went off somewhere far, and who forgot that she had a daughter whose name was Busie?... Or is Busie now thinking of her betrothed, her affianced husband whom, probably, my father and mother were compelling her to marry against her own inclinations?... Or is she thinking of her marriage that is going to take place on the Sabbath after the Feast of Weeks, to a man she does not know, and does not understand? Who is he, and what is he?... Or, perhaps, on the contrary, I am mistaken? Perhaps she is counting the days from the Passover to the Feast of Weeks, until the Sabbath after the Feast of Weeks, because the man she is going to marry on that day is her chosen, her dearest, her beloved? He will lead her under the wedding canopy. To him she will give all her heart, and all her love. And to me? Alas! Woe is me! To me she is no more than a sister. She always was to me a sister, and always will be.... And I imagine that she is looking at me with pity and with regret, and that she is saying to me, as she said to me, once on a time, years ago, in the words of the "Song of Songs:"
"O that thou wert as my brother."
"Why are you not my brother?"
What answer can I make her to these unspoken words? I know what I should like to say to her. Only let me get the chance to say a few words to her, no more than a few.
No! I shall not be able to speak a single word with Busie this day—nor even half a word. Now she is rising from her chair. She is going with light, soft footfalls to the cupboard. She is getting the candles ready for my mother, fixing them into the silver candlesticks. How well I know these silver candlesticks! They played a big part in my golden, boyish dreams of the bewitched Queen's Daughter whom I was going to rescue from the palace of crystal. The golden dreams, and the silver candlesticks, and the Sabbath candles, and my mother's beautiful, white transparent hands, and Busie's beautiful blue "Song of Songs" eyes, and the last rays of the sun that is going down in the west—are they not all one and the same, bound together and interwoven for ever?...
"Ta!" exclaimed my father, looking out of the window, and winking to me that it was high time to change and go into the synagogue to pray.
And we changed our garments, my father and I, and we went into the synagogue to say our prayers.
. . . . .
Our synagogue, our old, old synagogue was not changed either, not by so much as a hair. Not a single detail was different. Only the walls had become a little blacker; the reader's desk was older; the curtain before the Holy Ark had drooped lower; and the Holy Ark itself had lost its polish, its newness.
Once on a time, our synagogue had appeared in my eyes like a small copy of King Solomon's Temple. Now the small temple was leaning slightly to one side. Ah, what has become of the brilliance, and the holy splendour of our little old synagogue? Where now are the angels which used to flutter about, under the carved wings of the Holy Ark on Friday evenings, when we were reciting the prayers in welcome of the Sabbath, and on Festival evenings when we were reciting the beautiful Festival prayers?