“Sir,
I beg pardon for not replying to your favor of the 30th ult. respecting the late Mr Jno. Keats.
I am obliged by your note, but he having withdrawn himself from my controul, and acted contrary to my advice, I cannot interfere with his affairs.
I am, Sir,
Yr. mo. Hble St.,
Richd. Abbey.”
[p. 34], note 1. The difficulty of determining the exact date and place of Keats’s first introduction to Hunt arises as follows.—Cowden Clarke states plainly and circumstantially that it took place in Leigh Hunt’s cottage at Hampstead. Hunt in his Autobiography says it was ‘in the spring of the year 1816’ that he went to live at Hampstead in the cottage in question. Putting these two statements together, we get the result stated as probable in the text. But on the other hand there is the strongly Huntian character of Keats’s Epistle to G. F. Mathew, dated November 1815, which would seem to indicate an earlier acquaintance (see [p. 31]). Unluckily Leigh Hunt himself has darkened counsel on the point by a paragraph inserted in the last edition of his Autobiography, as follows:—(Pref. no. 7, p. 257) “It was not at Hampstead that I first saw Keats. It was at York Buildings, in the New Road (No. 8), where I wrote part of the Indicator, and he resided with me while in Mortimer Street, Kentish Town (No. 13), where I concluded it. I mention this for the curious in such things, among whom I am one.” The student must not be misled by this remark of Hunt’s, which is evidently only due to a slip of memory. It is quite true that Keats lived with Hunt in Mortimer Street, Kentish Town, during part of July and August 1820 (see [page 197]): and that before moving to that address Hunt had lived for more than a year (from the autumn of 1818 to the spring of 1820) at 8, New Road. But that Keats was intimate with him two years and a half earlier, when he was in fact living not in London at all but at the Vale of Health, is abundantly certain.
[p. 37], note 1. Cowden Clarke tells how Keats once calling and finding him fallen asleep over Chaucer, wrote on the blank space at the end of the Floure and the Leafe the sonnet beginning ‘This pleasant tale is like a little copse.’ Reynolds on reading it addressed to Keats the following sonnet of his own, which is unpublished (Houghton MSS.), and has a certain biographical interest. It is dated Feb. 27, 1817.
“Thy thoughts, dear Keats, are like fresh-gathered leaves,
Or white flowers pluck’d from some sweet lily bed;
They set the heart a-breathing, and they shed
The glow of meadows, mornings, and spring eves,
O’er the excited soul.—Thy genius weaves
Songs that shall make the age be nature-led,
And win that coronal for thy young head
Which time’s strange [qy. strong?] hand of freshness ne’er bereaves.
Go on! and keep thee to thine own green way,
Singing in that same key which Chaucer sung;
Be thou companion of the summer day,
Roaming the fields and older woods among:—
So shall thy muse be ever in her May,
And thy luxuriant spirit ever young.”
[p. 45], note 1. Woodhouse MSS. A. contains the text of the first draft in question, with some preliminary words of Woodhouse as follows:—
“The lines at p. 36 of Keats’s printed poems are altered from a copy of verses written by K. at the request of his brother George, and by the latter sent as a valentine to the lady. The following is a copy of the lines as originally written:—
Hadst thou lived in days of old,
Oh what wonders had been told
Of thy lively dimpled face,
And thy footsteps full of grace:
Of thy hair’s luxurious darkling,
Of thine eyes’ expressive sparkling.
And thy voice’s swelling rapture,
Taking hearts a ready capture.
Oh! if thou hadst breathed then,
Thou hadst made the Muses ten.
Could’st thou wish for lineage higher
Than twin sister of Thalia?
At least for ever, ever more
Will I call the Graces four.”