Illumination and Its Development in the Present Day

by Sidney Farnsworth

Fig. 7.

The student should obtain a drawing-board and fasten his paper down carefully before commencing to work. It will be found that a pad made of several sheets of blotting-paper placed under the writing-paper will make the writing easier. This makes a much more sympathetic surface to write upon than the hard drawing-board. Then the slope should be considered. It is not advisable to work with the board flat on the table. It should be raised to form a convenient slope. In the old illustrations that we have representing the mediæval illuminator at work, he is always depicted as writing at a sloping desk. By far the most suitable for writing is a firm water-colour easel which can be inclined to any angle. If, however, this is not to hand, a drawing can be raised on a table to the required angle by resting one end of the board on a small box.

Another point is the lighting. It is best to arrange this so that the light comes over the left shoulder, otherwise the shadow of the hand falls on the work.

Rule lightly, with a black-lead pencil, some lines to work upon. First rule two lines for each row of letters. For the capitals these should be about ¾ in. apart, and for the lower-case letters 3/8 in. should be sufficient.

The pen should be cut so as to give a fairly bold stroke, to prevent forming a thin, weak-looking letter. Great care should be taken to ensure that the writing be crisp and sharp. See that the back of the nib is free from ink, and be careful to keep the pen at practically the same angle. The habit of turning the pen about in the hand while writing is responsible for a lot of clumsy work. The beginner generally fails to turn the ends of his strokes smartly, thus failing to distinguish between the thick and thin strokes. This is caused by not keeping the pen at the same angle. The least possible pressure should be put on the nib. Let the pen have its own way; do not force it at all. Some prefer to dip the pen into the ink, wiping the back of the nib on a small linen pen-wiper. Others use a small brush or quill for dropping the ink into the pen. Some dealers put their ink into bottles provided with quill stoppers for this purpose. Whichever way be used, care should be taken not to fill the pen too full, as if this is done there is every probability that a blot may be caused by ink dropping from it.

[Fig. 8] shows exactly how the various strokes are formed. The different strokes that go to make up the capital A are carefully shown in the proper order and exactly how they can be made. Most of the letters in the alphabet are also shown with the pen-strokes necessary for their production. They are numbered so that the student should have no difficulty in understanding exactly how to form them, the first stroke being numbered 1, the second 2, and so on. It will be found that the letters that are not shown in this manner are made up of strokes that are shown plainly in some other letter.

Fig. 8.

After practising the formation of these letters between two lines, the student should use one line only. In fact, after he begins to get familiar with this method of forming letters he should discard altogether the use of the second line, as he should be able to write just as easily on one line only. Some students seem to be afraid that they will not be able to keep the writing the same size unless they use two lines. It is strange that in ordinary hand-writing they would never think it necessary to rule two lines to keep their writing the same size. The use of two lines is necessary to the beginner until he has become familiar with the pen, but there is no necessity to keep using these, for they only hamper him and give him less freedom in working.

One of the difficulties that beginners generally experience, in attempting to form letters with the pen in this way, is that they are unable to get good firm curves and strong upright strokes. The cause of this is nothing more or less than simply lack of practice. If the student has any trouble in this way he should practise the earlier exercise again and again. Weak-looking curves and tottering strokes will soon become few and far between as he gains confidence in himself. If he gives his whole attention to forming the strokes, the facility to produce well-formed letters will soon be acquired.