"Zoo now I hope this kindly feäce

Is gone to vind a better pleäce;

But still wi' vo'k a-left behind,

He'll always be a-kept in mind."

Within the sacred edifice are several interesting monuments, including two cross-legged effigies of the "camail" period, but neither of these is in situ. In the porch of this church John White, one of the four founders of Salem and the virtual founder of Massachusetts, lies buried.

Opposite the eastern end of the church is the Corn Exchange, where the fickle Bathsheba displayed her sample bags of corn to the astonished farmers, "adopting the professional pour into the hand, holding up the grains in her narrow palm for inspection in perfect Casterbridge manner". It was in a neighbouring shop that this "Queen of the Corn Market" purchased the fatal valentine that aroused the amatory instincts of Farmer Boldwood; while it was but a short distance away that, a little later in the story, Far from the Madding Crowd, Bathsheba and her husband, Sergeant Troy, met the piteous figure of Fanny Robin on her painful journey to the Casterbridge workhouse. By way of Mellstock (Stinsford) and Durnover (Fordington), Boldwood came to Casterbridge, where, turning into Bull-Stake Square, he "halted before an archway of heavy stonework which was closed by an iron-studded pair of doors", and gave himself up for the murder of Troy. Here also came Gabriel Oak in search of the licence which was to procure for Bathsheba "the most private, secret, plainest wedding that it is possible to have".

In the Mayor of Casterbridge the town naturally figures largely, although the opening scenes of the novel are laid at Weydon Priors (Weyhill, Hants). In Casterbridge Susan Henchard and Elizabeth-Jane sought for Henchard

"What an old-fashioned place it seems to be!" exclaimed Elizabeth-Jane, "it is huddled all together; and it is shut in by a square wall of trees like a plot of garden ground with a box-edging."

It is in this novel that its author gives us, in a few masterly touches, the architectural details of the town's houses, the "brick-nogging" and the "tile roofs patched with slate"; and indicates the everyday life of its inhabitants. The whole town, in fact, teems with Hardy scenes and characters, and particularly with the story of the Man of Character who was its Mayor. To Casterbridge came Stephen Smith when he commenced that study of architecture which led to his meeting the blue-eyed Elfrida. Bob Loveday, brother to the Trumpet-Major, came hither to meet his Matilda; and in the courthouse Raye sat when on the Western Circuit, after he had parted with Anna at Melchester (Salisbury).

Walking down High East Street the most unobservant eye could not fail to notice the beautiful distant view of the Frome Valley and the Yellowham Woods, and to note the number of the hostels on either side of the short length of street. Prominent among them is the King's Arms, with a spacious and noble Georgian window projecting over the main portico. This window, that is at once the delight and the despair of the modern architect, gave light to the room wherein was held "the great public dinner of the gentle-people and such like leading folk—wi' the Mayor in the chair".