"Notes: A Ballad of Trees and the Master":
[ which inspired these intense lines, `Into the Wood my Master went', ]
changed to:
[ which inspired these intense lines, `Into the Woods my Master went', ]
as per the line in the poem.
(It should also be noted that "A Ballad of Trees and the Master" has sometimes been published under the title "Into the Woods My Master Went".)
Bibliography: IV: Uncollected Poems:
[ One in Two: `Century Magazine' 12. 417, July, 1877 ]
changed to:
[ One in Two: `Century Magazine' 12. 417, July, 1887 ]
as per the evidence.
Various minor punctuation errors in the Bibliography have also been corrected.
References to verses of scripture have been changed to modern form.
(E.g., John 3:16 instead of John iii. 16.)
ASCII does not allow for the easy use of accents.
The following had to be stripped:
All instances of `Laus Mari(ae)'
All instances of C(ae)dmon
when compared with that of (Ae)schylus, shows an "enormous growth
Half veile\d in the twilight shade,
"I have a boy whose eyes are blue as your `Ae"thra's'. Every day
Richly expending thy much-bruise/d heart
I speak for each no-tongue/d tree
I'm gwine to stand stiff-legged for de Lord dis blesse\d day.
`Yes,' I rejoined, `a difference toto c(oe)lo,' whereat he laughed again,
Superb and sole, upon a plume/d spray [1]
All instances of Cyclop(ae)dia
On the sense, entrance/d, flinging
(Ae)olian
The globe/d clarity of receiving space,
From part oft sundered, yet ever a globe/d light,
`Nirva^na'