On others' plots, the tricks that passion plays
(I loving you, you him, he none at all),
The artist's pain — to walk his blood-stained ways,
A special soul, yet judged as general —
The endless grief of art, the sneer that slays,
The war, the wound, the groan, the funeral pall —
Not into these, bright spirit, do we yearn
To bring thee back, but oh, to be, to be
Unbound of all these gyves, to stretch, to spurn
The dark from off our dolorous lids, to see
Our spark, Conjecture, blaze and sunwise burn,
And suddenly to stand again by thee!
Ah, not for us, not yet, by thee to stand:
For us, the fret, the dark, the thorn, the chill;
For us, to call across unto thy Land,
"Friend, get thee to the minstrels' holy hill,
And kiss those brethren for us, mouth and hand,
And make our duty to our master Will."
____ Baltimore, 1879.
A Dedication. To Charlotte Cushman.
As Love will carve dear names upon a tree,
Symbol of gravure on his heart to be,
So thought I thine with loving text to set
In the growth and substance of my canzonet;
But, writing it, my tears begin to fall —
This wild-rose stem for thy large name's too small!
Nay, still my trembling hands are fain, are fain
Cut the good letters though they lap again;
Perchance such folk as mark the blur and stain
Will say, `It was the beating of the rain;'