III.
Nay, Bird; my grief gainsays the Lord's best right.
The Lord was fain, at some late festal time,
That Keats should set all Heaven's woods in rhyme,
And thou in bird-notes. Lo, this tearful night,
Methinks I see thee, fresh from death's despite,
Perched in a palm-grove, wild with pantomime,
O'er blissful companies couched in shady thyme,
— Methinks I hear thy silver whistlings bright
Mix with the mighty discourse of the wise,
Till broad Beethoven, deaf no more, and Keats,
'Midst of much talk, uplift their smiling eyes,
And mark the music of thy wood-conceits,
And halfway pause on some large, courteous word,
And call thee "Brother", O thou heavenly Bird!
____ Baltimore, 1878.
The Dove.
If haply thou, O Desdemona Morn,
Shouldst call along the curving sphere, "Remain,
Dear Night, sweet Moor; nay, leave me not in scorn!"
With soft halloos of heavenly love and pain; —
Shouldst thou, O Spring! a-cower in coverts dark,
'Gainst proud supplanting Summer sing thy plea,
And move the mighty woods through mailed bark
Till mortal heart-break throbbed in every tree; —
Or (grievous `if' that may be `yea' o'er-soon!),
If thou, my Heart, long holden from thy Sweet,
Shouldst knock Death's door with mellow shocks of tune,
Sad inquiry to make — `When may we meet?'
Nay, if ye three, O Morn! O Spring! O Heart!
Should chant grave unisons of grief and love;
Ye could not mourn with more melodious art
Than daily doth yon dim sequestered dove.
____ Chadd's Ford, Pennsylvania, 1877.
To ——, with a Rose.