"Japanese Literature," p. 24.
Cf. chapter xxxiii.
Gustave Le Bon maintains, in his brilliant, but sophistical, work on "The Psychology of Peoples," that the "soul of a race" unalterably determines even its art. He states that a Hindu artist, in copying an European model several times, gradually eliminates the European characteristics, so that, "the second or third copy ... will have become exclusively Hindu." His entire argument is of this nature; I must confess that I do not in the least feel its force. The reason the Hindu artist transforms a Western picture in copying it is because he has been trained in Hindu art, not because he is a Hindu physiologically. If that same Hindu artist, taken in infancy to Europe and raised as a European and trained in European art, should still persist in replacing European by Hindu art characteristics, then the argument would have some force, and his contention that the "soul of races" can be modified only by intermarriage of races would seem more reasonable.