There is good reason to think, however, that the period of these rapid fluctuations is passing away. All the various fads, fancies, and follies, together with the sciences, philosophies, ologies, and isms of the Western world, have already come to Japan, and are fairly well known. No essentially new and sudden experiences lie before the people.
Furthermore, the young men are year by year growing older. Experience and age together are giving a soberness and a steadiness otherwise unattainable. In the schools, in the government, in politics, and in the judiciary, and in the churches, men of years and of training in the new order are becoming relatively numerous, and erelong they will be in the majority. We may expect to see Japan gradually settling down to a steadiness and a regularity that have been lacking during the past few decades. The newcomer to Japan is much impressed with the expressionless character of so many Japanese faces. They appear like the images of Buddha, who is supposed to be so absorbed in profound meditation that the events of the passing world make no impression upon him. I have sometimes heard the expression "putty face" used to describe the appearance of the common Japanese face. This immobility of the Oriental is more conspicuous to a newcomer than to one who has seen much of the people and who has learned its significance. But though the "putty" effect wears off, there remains an impression of stoicism that never fades away. These two features, stolidity and stoicism, are so closely allied in appearance that they are easily mistaken, yet they are really distinct. The one arises from stupidity, from dullness of mind. The other is the product of elaborate education and patient drill. Yet it is often difficult to determine where the one ends and the other begins.
The stolidity of stupidity is, of course, commonest among the peasant class. For centuries they have been in closest contact with the soil; nothing has served to awaken their intellectual faculties. Reading and writing have remained to them profound mysteries. Their lives have been narrow in the extreme. But the Japanese peasant is not peculiar in this respect. Similar conditions in other lands produce similar results, as in France, according to Millet's famous painting, "The Man with the Hoe."
It is an interesting fact, however, that this stolidity of stupidity can be easily removed. I have often heard comments on the marked change in the facial expression of those adults who learn to read the Bible. Their minds are awakened; a new light is seen in their eyes as new ideas are started in their minds.
The impression of stolidity made on the foreigner is, due less, however, to stupidity than to a stoical education. For centuries the people have been taught to repress all expression of their emotions. It has been required of the inferior to listen quietly to his superior and to obey implicitly. The relations of superior and inferior have been drilled into the people for ages. The code of a military camp has been taught and enforced in all the homes. Talking in the presence of a superior, or laughter, or curious questions, or expressions of surprise, anything revealing the slightest emotion on the part of the inferior was considered a discourtesy.
Education in these matters was not confined to oral instruction; infringements were punished with great rigor. Whenever a daimyo traveled to Yedo, the capital, he was treated almost as a god by the people. They were required to fall on their knees and bow their faces to the ground, and the death penalty was freely awarded to those who failed to make such expressions of respect.
One source, then, of the systematic repression of emotional expression is the character of the feudal order of society that so long prevailed. The warrior who had best control of his facial expression, who could least expose to his foe or even to his ordinary friends the real state of his feelings, other things being equal, would come off the victor. In further explanation of this repression is the religion of Buddha. For 1200 years it has helped to mold the middle and the lower classes of the people. According to its doctrine, desire is the great evil; from it all other evils spring. For this reason, the aim of the religious life is to suppress all desire, and the most natural way to accomplish this is to suppress the manifestation of desire; to maintain passive features under all circumstances. The images of Buddha and of Buddhist saints are utterly devoid of expression. They indicate as nearly as possible the attainment of their desire, namely, freedom from all desire. This is the ambition of every earnest Buddhist. Being the ideal and the actual effort of life, it does affect the faces of the people. Lack of expression, however, does not prove absence of desire.
Every foreigner has had amusing proof of this. A common experience is the passing of a group of Japanese who, apparently, give no heed to the stranger. Neither by the turn of the head nor by the movement of a single facial muscle do they betray any curiosity, yet their eyes take in each detail, and involuntarily follow the receding form of the traveler. In the interior, where foreigners are still objects of curiosity, young men have often run up from behind, gone to a distance ahead of me, then turned abruptly, as though remembering something, and walked slowly back again, giving me, apparently, not the slightest attention. The motive was the desire to get a better look at the foreigner. They hoped to conceal it by a ruse, for there must be no manifestation of curiosity.
Phenomena which a foreigner may attribute to a lack of emotion of, at least, to its repression, may be due to some very different cause. Few things, for instance, are more astonishing to the Occidental than the silence on the part of the multitude when the Emperor, whom they all admire and love, appears on the street. Under circumstances which would call forth the most enthusiastic cheers from Western crowds, a Japanese crowd will maintain absolute silence. Is this from lack of emotion? By no means. Reverence dominates every breast. They would no more think of making noisy demonstrations of joy in the presence of the Emperor than a congregation of devout Christians would think of doing the same during a religious service. This idea of reverence for superiors has pervaded the social order —the intensity of the reverence varying with the rank of the superior. But a change has already begun. Silence is no longer enforced; no profound bowings to the ground are now demanded before the nobility; on at least one occasion during the recent China-Japan war the enthusiasm of the populace found audible expression when the Emperor made a public appearance. Even the stoical appearance of the people is passing away under the influence of the new order of society, with its new, dominant ideas. Education is bringing the nation into a large and throbbing life. Naturalness is taking the place of forced repression. A sense of the essential equality of man is springing up, especially among the young men, and is helping to create a new atmosphere in this land, where, for centuries, one chief effort has been to repress all natural expression of emotion.
While touring in Kyushu several years ago, I had an experience which showed me that the stolidity, or vivacity, of a people is largely dependent on the prevailing social order rather than on inherent nature. Those who have much to do with the Japanese have noted the extreme quiet and reserve of the women. It is a trait that has been lauded by both native and foreign writers. Because of this characteristic it is difficult for a stranger, to carry on conversation with them. They usually reply in monosyllables and in low tones. The very expression of their faces indicates a reticence, a calm stolidity, and a lack of response to the stimulus of social intercourse that is striking and oppressive to an Occidental. I have always found it a matter of no little difficulty to become acquainted with the women, and especially with the young women, in the church with which I have been connected. With the older women this reticence is not so marked. Now for my story: