[XI. JEALOUSY—REVENGE—HUMANE FEELINGS]
Jealousy particularly ascribed to women—How related to the social order—Is jealousy limited to women?—Revenge—Taught as a moral duty—Revenge and the new social order—Are the Japanese cruel?—First impressions—Treatment of the insane—Of lepers—The cruelty and hardness of heart of Old Japan—Buddhistic teaching and practice—Buddhist and Christian Orphan Asylums—Treatment of horses—Torture in Old Japan—Crucifixion and transfixion by spears—Hard-heartedness cultivated under feudalism—Cruelty and the humane feelings in the Occident—Abolition of cruel customs in ancient and in Old Japan—Cruelty a sociological, not a biological characteristic—The rise of humane feelings—Doctors and hospitals—Philanthropy, 127
Ambition, both individual and national—The "Kumamoto Band"—Self-confidence and conceit—Refined in nature—Illustrations in the use of English—Readiness of young men to assume grave responsibilities—A product of the social order—Assumptions of inferiority by the common people—Obsequiousness—Modern self-confidence and assumptions not without ground—Self-confidence and success—Self-confidence and physical size—Young men and the recent history of Japan—The self-confidence and conceit of Western nations—The open-mindedness of most Japanese, 137
[XIII. PATRIOTISM—APOTHEOSIS—COURAGE]
"Yamato-Damashii": "The Soul of Japan"—Patriotism and the recent war with China—Patriotism of Christian orphans—Mr. Ishii—Patriotism is for a person, not for country—National patriotism is modern—Passionate devotion to the Emperor—A gift of 20,000,000 yen to the Emperor—The constitution derives its authority from the Emperor—A quotation from Prof. Yamaguchi—Japanese Imperial succession is of Oriental type—Concubines and children of the reigning Emperor—Apotheosis, Oriental and Occidental—Apotheosis and national unity—The political conflict between Imperial and popular sovereignty—Japanese and Roman apotheosis—Prof. Nash quoted—Courage—Cultivated in ancient times—A peculiar feature of Japanese courage—"Harakiri"—E. Griffis quoted—A boy hero—Relation of courage to social order—Japanese courage not only physical—modern instance of moral courage, 144
[XIV. FICKLENESS—STOLIDITY—STOICISM]
Illustrations of fickleness—Prof. Chamberlain's explanation—Fickleness a modern trait—Continuity of purpose in spite of changes of method—The youth of those on whom responsibility rests—Fluctuation of interest in Christianity not a fair illustration—The period of fluctuation is passing away—Impassiveness—"Putty faces"—Distinguish between stupidity and stoicism—Stupid stolidity among the farmers—Easily removed—Social stolidity cultivated—Demanded by the old social order—The influence of Buddhism in suppressing expression of emotion—An illustration of suppressed curiosity—Lack of emotional manifestations when the Emperor appears in public—Stolidity a social, not a racial trait—A personal experience—The increased vivacity of Christian women—Relations of emotional to intellectual development and to the social order, 159
[XV. ÆSTHETIC CHARACTERISTICS]
The wide development of the æsthetic sense in Japan—Japanese æsthetic development is unbalanced—The sense of smell—Painting—Japanese art pays slight attention to the human form—Sociological interpretation—The nude in Japanese art—Relation to the social order—Art and immorality—Caricature—Fondness for the abnormal in nature—Abnormal stones—Tosa cocks—Æsthetics of speech—The æsthetic sense and the use of personal pronouns—Deficiency of the æsthetic development in regard to speech—Sociological explanations—Close relation of æsthetics and conduct—Sociological explanation for the wide development of the æsthetic sense—The classes lived in close proximity—The spirit of dependence and imitation—Universality of culture more apparent than real—Defects of æsthetic taste—Defective etiquette—How accounted for—Old and new conditions—"Western taste debasing Japanese art"—Illustration of aboriginal æsthetic defects—Colored photographs—Æsthetic defects of popular shrines—The æsthetics of music—Experience of the Hawaiian people—Literary æsthetic development—Aston quoted—Architectural æsthetic development—Æsthetic development is sociological rather than biological, 170