The Japanese nation as a whole went reeling drunk with over-potations of foreign ideas. For a while it seemed that everything Japanese was to be swept away. The small opposition party, frenzied by the apparition, took hideous revenge in murder, assassination, and suicide. Haganè's faith did not for a moment waver. After excess comes nausea, reaction. So had his countrymen, in more than one epoch now long past, drunk in the new. In time they would reject the unneedful, and infuse new power in what they had adopted. The thinkers of his empire could afford to wait.
When the new constitution was promulgated in February, 1889, there was rejoicing such as this old earth seldom sees. Haganè was created Minister of War. This position he had continued to hold, with varying intervals. He was now the incumbent. Much of his time was spent, perforce, in the "foreign" official residence, well within sight of the Imperial moats. Most of such edifices in Tokio are depressing. This was particularly cheerless. The house of brick, wood, and plaster, chiefly plaster, stood full two stories high, was of ample dimensions, and had a huge, square, blue-tiled roof. Though planned and built by the most artistic nation now alive, it had not one line of beauty, nor one successful effort after fine proportion. In these early days it seemed an accepted creed among the Japanese that anything to be truly "foreign" must necessarily offend the eye; yet, thought the ingenuous pupils, since ugliness apparently goes in the company of wealth, power, material welfare, and political recognition,—why, by all means, let us be uglier than the foreigners themselves!
Around the house lay something called a garden, a watery emulsion of American flower beds and a Japanese landscape creation. The effect of the whole place was amorphous, unstable, depressing, with the one redeeming feature of bigness.
Onda Tetsujo, speeding toward this haven in his hired jinrikisha, rattled along the uneven stone of the street, and then turned into the one great entrance of the imposing shell. The garden wall had a secret gate or two, but these were generally kept bolted. The storm of the early morning was abating. A drizzling, discouraged rain, with irregular gusts of wind through it, persisted in efforts to exclude all cheer. Onda knocked at one of the rear doors of the Japanese wing, and was but little surprised to hear, from the man who opened for him, that his Excellency the Prince, having transacted all official business for the day, had now retired to his "besso" (villa) on the high land of suburban "Tabata."
Onda re-entered his vehicle and gave the curt order, "Tabata." In the street he added, "Call an atoshi, and pull up the hood and oil-cloth." An atoshi, or "Mr. After," was summoned, the oil-cloth hood of the jinrikisha drawn far over and held in place by a single black cord knotted to one shaft. A sort of oil-cloth lap-robe, hung up in front and hooked to the inner lining of the hood, afforded complete immunity from wetting. Within the careful adjustment sat Tetsujo, blinking and scowling. The day had brought him a new and unwelcomed experience,—defiance from a woman. He wondered, as he was dragged along the viscid street, whether, in the happy, vanished feudal days, any warrior of his clan had known a similar indignity. There was on record the case of a wilful bride who, married against her wishes to an Onda chief, had disguised herself in a suit of armor grown too small for him, and sought heroic death in battle. But even this was better than open insult and defiance. Well, Yuki must be watched closely. Her education and beauty were not to be thrown away on a foreigner who, likely as not, would tire of and desert her. She must marry a young Japanese already well along on the way to official or military promotion. When this Russian war came, Japan would need all her people, men and women. His only child should not be given over to the loose affections of a foreigner. He scowled anew at the thought, and gave so savage a sound that his coolies stopped short in the road to inquire whether the honorable master were in pain.
"No," growled Tetsujo, in return, "a warrior does not feel pain; that is for babes and women."
A few minutes later the redoubled grunts and groans of his bearers—evidently sharing shamelessly the weaker prerogatives of the other sex—told Tetsujo that they had begun the ascent of the Tabata slope. At the eastern edge, where the hill goes down like a cliff, and one looking far out over rice-fields sees the Sumida River finding a shining road to Tokio, and the great twin peaks of Tsukuba-yama standing guard over the other half of the world, spread the broad eaves of Prince Haganè's villa.
Onda gave a sigh of relief as he stepped out under the door-roof.
"O tanomi moshimasu!" (I make request) he called, rapping on the closed shoji panels with his knuckles.
"Hai!" came almost instantly from within, and a housemaid was on her knees pushing the panels softly aside, a hand on each.