"You talk as though you were really hungry, Charlie," he said.

"Well, I am, rather," the other rejoined. "And I can tell you, Stan, that if you lived in my boarding house, you never could have completed that charming still-life effect of the platter of fish that I recently saw in your studio. You would have eaten your model before you could have finished the picture."

"Why don't you change your boarding house, Charlie, if it's so bad?"
Miss Hurd inquired.

"I did," her cousin replied. "Of boarding houses within my sadly circumscribed means there is a very wide but strictly numerical choice. They are all exactly alike, you understand. I changed once, twice, twenty, forty times. I grew positively dizzy caroming from one inferior boarding house to another. You would have thought I was trying a peripatetic preventative for dyspepsia. Finally the mental strain of remembering where to go home at night became so irksome that I decided to leave bad enough alone and stay where I was—one eleven Mount Vernon Place—at the sign of the three aces. It's no worse, you see, than anywhere else—it's merely a matter of living down to my painfully limited income. But," he added thoughtfully, "I sincerely wish some philanthropist would put me to the trouble of moving again."

The two men laughed at Wilkinson's frank exposition, but his cousin frowned a little.

"I wish father would do something for you," she said. "There are so many things he could do if he chose."

"He was good enough to offer me a job as conductor on one of his street cars, the last time I mentioned the subject," the other responded cheerfully. "But I told him that the company's system of espionage was reputed to be so nearly perfect that I doubted whether I could make the position pay—that is, pay as it ought. And you know, Isabel," he added, "that with all due respect to my esteemed relation, he's exceedingly awkward to get anything out of. Can either of you gentlemen," he turned to the others, "suggest anything along these lines? I would be willing to pay a liberal commission."

"Well," said the painter, "if he wanted to buy a Caneletto cheap, I know where you could pick one up for him. It would rather damage my reputation to recommend him to buy it, but you could do it all right, Charlie. Guaranteed authentic by European experts—they're easily fixed. And if he didn't like the Caneletto, you could get him a very fair Franz Hals—by the same artist."

Miss Hurd, whose feelings had not been in the least lacerated by the reference to her parent's notable eccentricity of retentiveness, but who had been amused at the suggestion, interposed.

"I'm afraid it couldn't be done," she said. "Louis von Glauber passes on every picture that father buys."