For all his work was cursed by his indecision, he was surprisingly steady along the line of personal relations. At one time he would devote himself wholly to the production of exotic-looking pastels; at another time to nothing but the strangest of nocturnes in which the colors were washed on in a kind of sauce so thin that the frames, instead of being placed on easels, had to be laid flat on table tops in order to keep the pictures from running off their canvases onto the floor while being painted. But with people, his first likes and dislikes were definite and usually final, and this quality of personal consistency had come to a fixed focus on Helen Maitland.
Helen, for her part, had never given him any other encouragement than to express her approval of some of his pictures that she honestly liked, but Pelgram needed no other encouragement. His cosmos bulged with ego of such density that he and his pastels and nocturnes were crowded together in it indistinguishably. Admiration of his work was necessarily admiration of himself. It was only a question of degree. With an extraordinary manifestation of good taste and common sense, amounting almost to inspiration, he had some time since decided that he would like to marry Miss Maitland, but his admiration for her was so deep that his self-assurance was shaken to the point of hesitation. Thus far he had not ventured to speak, but his heart bounded at her swift defense of him and her effective attack on Wilkinson.
In the brief pause, while Wilkinson was rallying his forces for another charge on Pelgram's tonal battlements, John M. Hurd entered the room.
Mr. Hurd was a thickset man with a firm, clean-shaven jaw and a face furrowed by deep lines, but with eyes that oddly enough looked comparatively youthful and capable not only of appreciating humor, but even of manufacturing it. He appeared to be a man who, by the exercise of his pronounced talent for commercial strategy, could drive, without an atom of pity, his opponent into a corner, but who, after penning him there, could take an almost boyish amusement in watching the unfortunate's futile efforts to escape. The magnate was dressed in a dark cutaway coat with gray trousers, a pear-shaped turquoise pin adorned his black tie, and his dress fully reflected the solid respectability of the directors' meeting from which he had just come.
He took up his position, standing with his back to the window, stirring the sugar in the cup of tea which his daughter had given him. His entrance had snapped the tension between his impecunious step-nephew and the painter.
"Well, how are you all?" he remarked genially. "Really, Isabel, you have quite a salon. How is the portrait going, Helen?—or should I have asked the artist and not the subject? Glad to see you, Cole—is the fire insurance business good? Do you know, I made quite a lot of money out of insurance last year—had it figured out recently."
"In what way, sir?" Cole politely inquired, anticipating the answer.
"By not insuring anything," replied Mr. Hurd, with a short laugh.
"Hello, Charlie, had a busy day?"
As Wilkinson's extreme disinclination for industry of any legitimate sort was well known to all the party, Mr. Hurd's innocently expressed but barb-pointed question brought a general smile, and Pelgram permitted himself the luxury of a suggestive cough.
"Well, no, Uncle John," replied the young man addressed, half apologetically. "Physically, to-day has been on the whole rather restful; however, my active mind has been running as usual at top speed," he added.