The log flames, as they leap and fall,
Cast ancient shadows on the wall;
Again I hear the south-west blow
About the house, as long ago
We heard it, when we gathered round
The hearth made homelier by the sound
That in the chimney caverns keened
And told of things the darkness screened.
Dim in their panels round the room
The old unchanging faces loom;
And soft upon the crimson robe,
The hand that rests upon a globe,
The dusky frames, the faded tints,
The flicker of the hearth-light glints.
Out in the yard familiar tones
Of voices reach me; on the stones
A waggon rumbles, and a bark
Welcomes an inmate from the dark.
It might be twenty years ago,
So much of all we used to know
Remains unchanged; and yet I feel
Some want that makes it half unreal.
For we who long ago were part
Of all we knew, the very heart
Of all we loved, let somewhere slip
The bonds of that old comradeship.
The past awakes; but while I muse
Here in the same old scenes, I lose
The paths to which we once had clues.
Along familiar ways we went
All day, at every turn intent
To mark where Time had made a theft,
Or undisturbed our treasure left.
Here an old tree was down, and there
A roof had fallen, a hearth was bare,
Where once we saw amid the smoke
The glowing turf, the kindly folk.
Here one we had watched beside the plough
Stride with his horses, hobbled now;
And here there strode a full-grown man
Where once a bare-legged urchin ran.
And where was now that girl whose feet
Once made yon mountain path so sweet?
Whose shyness flushed her cheek, the while
The mischief hidden in her smile
Belied it? I behold the spot
Where once she passed but now is not,
The grey rocks, where the mountain breeze
Fluttered the skirts about her knees.
We passed beside the wheelwright’s door
Where, as it used to be, the floor
Was piled with shavings, and a haze
Of dusty motes made dim the rays
Of sunlight, and the air was sweet
With smell of new-sawn wood and peat.
We heard the smithy anvil clink,
And saw the fire grow bright and sink
In answer to the bellows’ wheeze,
While, as of old, between his knees
The smith a horse’s fetlocks drew,
And rasped the hoof and nailed the shoe.
Here, and at every place of call,
The welcome that we had from all,
The pleasant sound of names outgrown
By which in boyhood we were known,
Quick springing to their lips, a look
That backward to old meetings took
Our thoughts, a word that brought to mind
Something for ever left behind,—
All, though they blessed us, touched the springs
Of tears at the deep heart of things.

We saw the mountains far away,
Beyond whose blue horizons lay
The wonderlands of which we dreamed
Of old; and still their barrier seemed
To tell us of the pilgrim quest,
And things remote and unpossessed,—
Not of that world which on our hearts
Had marked its bounds and graved its charts.
They told us of that unknown shore
That none can find; but where, before,
They called us o’er the world to roam,
They now seemed sheltering walls of home.
And those old paths whose ends we sought
Were dearer for themselves than ought
Their ends foretold: no truth could harm
Their beauty or undo their charm;
No disillusions of the far
Could touch their homeliness, or mar
The love that made them what they are.

Here we were children: here in turn
Our children in the same paths learn
The secrets of the woods and flowers,
And dream the dreams that once were ours.
Their vision keen renews our own,
Their certainties our doubts atone,
And, sharing in their joys, we weave
The years we find with those we leave.
A little weary, glad of rest
Ourselves, our hearts are in their quest.
Pilgrims of life, whose steps have slowed,
We love to linger on the road,
Or reach the welcome stage, while they
Are eager for the unknown way.
Some time to come their thoughts will turn
To these wild winter nights, and yearn
For something lost and left behind,
As now I turn.—I hear the wind
Keen in the chimney as of old,
And darkness falls on field and fold;—
I catch the clue, on scenes that were
I look not backward,—I am there!
The men are gone, the gates are barred,
We steal across the empty yard,
The cattle drowse within their stalls,
The shelter of our homestead walls
Is round us, and the ways without
Are filled with mystery and doubt.
Over the hidden forest sweeps
The wind, and all its haunted deeps
Are calling, and we do not dare
Farther beyond our walls to fare
Than o’er one field, the sheds to gain
Where, sheltered from the wind and rain,
The watchful shepherd and his dogs
Still tarry, and a fire of logs,
A lantern’s light, a friendly bark,
Make us an outpost in the dark.
I miss the way! I drop the clues!
Through mists of years again I lose
My childhood, and alone I sit
And watch the shadows leap and flit
Above the hearth. The world that lies
Beyond our homely boundaries
I know, and in the darkness dwell
No hidden foes, no wizard spell.
But still the starry deeps are crossed
By lonelier paths than those we lost;
Still the old wonder and the fear
Of what we know not, makes more dear
The ways we know; and still, no less
Than in my childhood’s days, I bless
The shelter of their homeliness.

Amid the boundless and unknown
Each calls some guarded spot his own;
A shelter from the vast we win
In homely hearths, and make therein
The glow of light, the sound of mirth,
That bind all children of the earth
In brotherhood; and when the rain
Beats loud upon the window-pane,
And shadows of the firelight fall
Across the floor and on the wall,
And all without is wild and lone
On lands and seas and worlds unknown,—
We know that countless hearthlights burn
In darkened places, and discern,
Inwoven with the troubled plan
Of worlds and ways unknown to man,
The shelter at the heart of life,
The refuge beyond doubt and strife,
The rest for every soul outcast,
The homely hidden in the vast;
And doubt not that whatever fate
May lie beyond us, soon or late,
However far afield we roam,
The unknown way will lead us home.

THE END
Printed by R. & R. Clark, Limited, Edinburgh.


By SIDNEY ROYSE LYSAGHT

Crown 8vo. 4s. 6d. net.

POEMS OF THE UNKNOWN WAY

ATHENÆUM.—“The series of poems under the general heading, ‘The Undiscovered Shore,’ contains some exquisite renderings of the moods and impressions of one who goes down, literally as well as tropically, into the great waters. They are full of melody, full of sadness—the harvest of an eye quick to catch the beauty of external circumstance and of an ear open to the calling of the highways of the seas and the highways of life.... Mr. Lysaght puts an exceptional sense of rhythm at the service of sincere thinking and fine feeling.”