“My only Augustus.”
“My sweet Gretchen.”
With that the conversation ceased, Norbert heard another ill-defined rustling and moving of chairs, then it became quiet and he fell back into a doze which transported him to Pompeii just as Vesuvius again began its eruption. A vivid throng of fleeing people caught him, and among them he saw Apollo Belvedere lift up the Capitoline Venus, take her away and place her safely upon some object in a dark shadow; it seemed to be a carriage or cart on which she was to be carried off, for a rattling sound was soon heard from that direction. This mythological occurrence did not amaze the young archæologist, but it struck him as remarkable that the two talked German, not Greek, to each other for, as they half regained their senses, he heard them say:
“My sweet Gretchen.”
“My only Augustus.”
But after that the dream picture changed completely. Absolute silence took the place of the confused sound, and instead of smoke and fire-glow, bright, hot sunlight rested on the ruins of the buried city. This likewise changed gradually, became a bed on whose white linen golden beams circled up to his eyes, and Norbert Hanold awoke in the scintillating spring morning of Rome.
Within him, also, however, something had changed; why, he could not surmise, but a strangely oppressive feeling had again taken possession of him, a feeling that he was imprisoned in a cage which this time was called Rome. As he opened the window, there screamed up from the street dozens of venders’ cries far more shrill to his ear than those in his German home; he had come only from one noisy quarry to another, and a strangely uncanny horror of antique collections, of meeting there Apollo Belvedere or the Capitoline Venus, frightened him away. Thus, after brief consideration, he refrained from his intention of looking for a dwelling, hastily packed his valise again and went farther south by train. To escape the “inseparables,” he did this in a third-class coach, expecting at the same time to find there an interesting and scientifically useful company of Italian folk-types, the former models of antique works of art. Yet he found nothing but the usual dirt, Monopol cigars which smelled horribly, little warped fellows beating about with arms and legs, and members of the female sex, in contrast to whom his coupled country-women seemed to his memory almost like Olympian goddesses.
Two days later Norbert Hanold occupied a rather questionable space called a “room” in “Hotel Diomed” beside the eucalyptus-guarded “ingresso” to the excavations of Pompeii. He had intended to stay in Naples for some time to study again more closely the sculptures and wall-paintings in the Museo Nazionale, but he had had an experience there similar to that in Rome. In the room for the collection of Pompeiian household furniture he found himself wrapped in a cloud of feminine, ultra-fashionable travel-costumes, which had doubtless all quickly replaced the virgin radiance of satin, silk or lace bridal finery; each one clung to the arm of a young or old companion, likewise faultlessly attired, according to men’s fashion standards; and Norbert’s newly gained insight into a field of knowledge formerly unknown to him had advanced so far as to permit him to recognize them at first glance; every man was Augustus, every girl was Gretchen. Only this came to light here by means of other forms of conversation tempered, moderated and modified by the ear of publicity.
“Oh, look, that was practical of them; we’ll surely have to get a meat warmer like that, too.”