Here, too, there is an actual occasion for the dream; the day before she had actually put a candle into a candlestick; but this one was not broken. A transparent symbolism has been employed here. The candle is an object which excites the feminine genitals; its being broken, so that it does not stand straight, signifies impotence on the man’s part (“it is not her fault”). But does this young woman, carefully brought up, and a stranger to all obscenity, know of this application of the candle? She happens to be able to tell how she came by this information. While riding in a boat on the Rhine, another boat passes containing students who are singing or rather yelling, with great delight: “When the Queen of Sweden with closed shutters and the candles of Apollo....”
She does not hear or understand the last word. Her husband is asked to give her the required explanation. These verses are then replaced in the dream content by the harmless recollection of a command which she once executed clumsily at a girls’ boarding school, this occurring by means of the common features closed shutters. The connection between the theme of onanism and that of impotence is clear enough. “Apollo” in the latent dream content connects this dream with an earlier one in which the virgin Pallas figured. All this is obviously not harmless.
IV. Lest it may seem too easy a matter to draw conclusions from dreams concerning the dreamer’s real circumstances, I add another dream coming from the same person which likewise appears harmless. “I dreamt of doing something,” she relates, “which I actually did during the day, that is to say, I filled a little trunk so full of hooks that I had difficulty in closing it. My dream was just like the actual occurrence.” Here the person relating the dream herself attaches chief importance to the correspondence between the dream and reality. All such criticisms upon the dream and remarks about it, although they have secured a place in waking thought, regularly belong to the latent dream content, as later examples will further demonstrate. We are told, then, that what the dream relates has actually taken place during the day. It would take us too far afield to tell how we reach the idea of using the English language to help us in the interpretation of this dream. Suffice it to say that it is again a question of a little box (cf. p. 130, the dream of the dead child in the box) which has been filled so full that nothing more can go into it. Nothing in the least sinister this time.
In all these “harmless” dreams the sexual factor as a motive for the exercise of the censor receives striking prominence. But this is a matter of primary importance, which we must postpone.
(b) Infantile Experiences as the Source of Dreams
As the third of the peculiarities of the dream content, we have cited from all the authors (except Robert) the fact that impressions from the earliest times of our lives, which seem not to be at the disposal of the waking memory, may appear in the dream. It is, of course, difficult to judge how often or how seldom this occurs, because the respective elements of the dream are not recognised according to their origin after waking. The proof that we are dealing with childhood impressions must thus be reached objectively, and the conditions necessary for this happen to coincide only in rare instances. The story is told by A. Maury,[[48]] as being particularly conclusive, of a man who decided to visit his birthplace after twenty years’ absence. During the night before his departure, he dreams that he is in an altogether strange district, and that he there meets a strange man with whom he has a conversation. Having afterward returned to his home, he was able to convince himself that this strange district really existed in the neighbourhood of his home town, and the strange man in the dream turned out to be a friend of his dead father who lived there. Doubtless, a conclusive proof that he had seen both the man and the district in his childhood. The dream, moreover, is to be interpreted as a dream of impatience, like that of the girl who carries her ticket for the concert of the evening in her pocket (p. 110), of the child whose father had promised him an excursion to the Hameau, and the like. The motives explaining why just this impression of childhood is reproduced for the dreamer cannot, of course, be discovered without an analysis.
One of the attendants at my lectures, who boasted that his dreams were very rarely subject to disfigurement, told me that he had sometime before in a dream seen his former tutor in bed with his nurse, who had been in the household until he was eleven years old. The location of this scene does not occur to him in the dream. As he was much interested, he told the dream to his elder brother, who laughingly confirmed its reality. The brother said he remembered the affair very well, for he was at the time six years old. The lovers were in the habit of making him, the elder boy, drunk with beer, whenever circumstances were favourable for nocturnal relations. The smaller child, at that time three years old—our dreamer—who slept in the same room as the nurse, was not considered an obstacle.
In still another case it may be definitely ascertained, without the aid of dream interpretation, that the dream contains elements from childhood; that is, if it be a so-called perennial dream, which being first dreamt in childhood, later appears again and again after adult age has been reached. I may add a few examples of this sort to those already familiar, although I have never made the acquaintance of such a perennial dream in my own case. A physician in the thirties tells me that a yellow lion, about which he can give the most detailed information, has often appeared in his dream-life from the earliest period of his childhood to the present day. This lion, known to him from his dreams, was one day discovered in natura as a long-forgotten object made of porcelain, and on that occasion the young man learned from his mother that this object had been his favourite toy in early childhood, a fact which he himself could no longer remember.
If we now turn from the manifest dream content to the dream thoughts which are revealed only upon analysis, the co-operation of childhood experiences may be found to exist even in dreams whose content would not have led us to suspect anything of the sort. I owe a particularly delightful and instructive example of such a dream to my honoured colleague of the “yellow lion.” After reading Nansen’s account of his polar expedition, he dreamt that he was giving the bold explorer electrical treatment in an ice field for an ischæmia of which the latter complained! In the analysis of this dream, he remembered a story of his childhood, without which the dream remains entirely unintelligible. When he was a child, three or four years old, he was listening attentively to a conversation of older people about trips of exploration, and presently asked papa whether exploration was a severe illness. He had apparently confused “trips” with “rips,” and the ridicule of his brothers and sisters prevented his ever forgetting the humiliating experience.
The case is quite similar when, in the analysis of the dream of the monograph on the genus cyclamen, I happen upon the recollection, retained from childhood, that my father allowed me to destroy a book embellished with coloured plates when I was a little boy five years old. It will perhaps be doubted whether this recollection actually took part in the composition of the dream content, and it will be intimated that the process of analysis has subsequently established the connection. But the abundance and intricacy of the ties of association vouch for the truth of my explanation: cyclamen—favourite flower—favourite dish—artichoke; to pick to pieces like an artichoke, leaf by leaf (a phrase which at that time rang in our ears à propos of the dividing up of the Chinese Empire)—herbarium-bookworm, whose favourite dish is books. I may state further that the final meaning of the dream, which I have not given here, has the most intimate connection with the content of the childhood scene.