The shamed embarrassment of the dreamer and the indifference of the spectators form a contradiction which often occurs in the dream. It would better accord with the feelings of the dreamer if the strangers looked at him in astonishment and laughed at him, or if they grew indignant. I think, however, that the latter unpleasant feature has been obviated by the tendency to wish-fulfilment, while the embarrassment, being retained on some account or other, has been left standing, and thus the two parts fail to agree. We have interesting evidence to show that the dream, whose appearance has been partially disfigured by the tendency to wish-fulfilment, has not been properly understood. For it has become the basis of a fairy tale familiar to us all in Andersen’s version,[[BS]] and it has recently received poetic treatment by L. Fulda in the Talisman. In Andersen’s fairy tale we are told of two impostors who weave a costly garment for the Emperor, which, however, shall be visible only to the good and true. The Emperor goes forth clad in this invisible garment, and, the fabric serving as a sort of touchstone, all the people are frightened into acting as though they did not notice the nakedness of the Emperor.
But such is the situation in our dream. It does not require great boldness to assume that the unintelligible dream content has suggested the invention of a state of undress in which the situation that is being remembered becomes significant. This situation has then been deprived of its original meaning, and placed at the service of other purposes. But we shall see that such misunderstanding of the dream content often occurs on account of the conscious activity of the second psychic system, and is to be recognised as a factor in the ultimate formation of the dream; furthermore, that in the development of the obsessions and phobias similar misunderstandings, likewise within the same psychic personality, play a leading part. The source from which in our dream the material for this transformation is taken can also be explained. The impostor is the dream, the Emperor is the dreamer himself, and the moralising tendency betrays a hazy knowledge of the fact that the latent dream content is occupied with forbidden wishes which have become the victims of repression. The connection in which such dreams appear during my analysis of neurotics leaves no room for doubting that the dream is based upon a recollection from earliest childhood. Only in our childhood was there a time when we were seen by our relatives as well as by strange nurses, servant girls, and visitors, in scanty clothing, and at that time we were not ashamed of our nakedness.[[BT]]
It may be observed in the case of children who are a little older that being undressed has a kind of intoxicating effect upon them, instead of making them ashamed. They laugh, jump about, and strike their bodies; the mother, or whoever is present, forbids them to do this, and says: “Fie, that is shameful—you mustn’t do that.” Children often show exhibitional cravings; it is hardly possible to go through a village in our part of the country without meeting a two or three-year-old tot who lifts up his or her shirt before the traveller, perhaps in his honour. One of my patients has reserved in his conscious memory a scene from the eighth year of his life in which he had just undressed previous to going to bed, and was about to dance into the room of his little sister in his undershirt when the servant prevented his doing it. In the childhood history of neurotics, denudation in the presence of children of the opposite sex plays a great part; in paranoia the desire to be observed while dressing and undressing may be directly traced to these experiences; among those remaining perverted there is a class which has accentuated the childish impulse to a compulsion—they are the exhibitionists.
This age of childhood in which the sense of shame is lacking seems to our later recollections a Paradise, and Paradise itself is nothing but a composite phantasy from the childhood of the individual. It is for this reason, too, that in Paradise human beings are naked and are not ashamed until the moment arrives when the sense of shame and of fear are aroused; expulsion follows, and sexual life and cultural development begin. Into this Paradise the dream can take us back every night; we have already ventured the conjecture that the impressions from earliest childhood (from the prehistoric period until about the end of the fourth year) in themselves, and independently of everything else, crave reproduction, perhaps without further reference to their content, and that the repetition of them is the fulfilment of a wish. Dreams of nakedness, then, are exhibition dreams.[[BU]]
One’s own person, which is seen not as that of a child, but as belonging to the present, and the idea of scanty clothing, which became buried beneath so many later négligée recollections or because of the censor, turns out to be obscure—these two things constitute the nucleus of the exhibition dream. Next come the persons before whom one is ashamed. I know of no example where the actual spectators at those infantile exhibitions reappear in the dream. For the dream is hardly ever a simple recollection. Strangely enough, those persons who are the objects of our sexual interest during childhood are omitted from all the reproductions of the dream, of hysteria, and of the compulsion neurosis; paranoia alone puts the spectators back into their places, and is fanatically convinced of their presence, although they remain invisible. What the dream substitutes for these, the “many strange people,” who take no notice of the spectacle which is presented, is exactly the wish-opposite of that single, intimate person for whom the exposure was intended. “Many strange people,” moreover, are often found in the dream in any other favourable connection; as a wish-opposite they always signify “a secret.”[[BV]] It may be seen how the restoration of the old condition of affairs, as it occurs in paranoia, is subject to this antithesis. One is no longer alone. One is certainly being watched, but the spectators are “many strange, curiously indeterminate people.”
Furthermore, repression has a place in the exhibition dream. For the disagreeable sensation of the dream is the reaction of the second psychic instance to the fact that the exhibition scene which has been rejected by it has in spite of this succeeded in securing representation. The only way to avoid this sensation would be not to revive the scene.
Later on we shall again deal with the sensation of being inhibited. It serves the dream excellently in representing the conflict of the will, the negation. According to our unconscious purpose exhibition is to be continued; according to the demands of the censor, it is to be stopped.
The relation of our typical dreams to fairy tales and to other poetic material is neither a sporadic nor an accidental one. Occasionally the keen insight of a poet has analytically recognised the transforming process—of which the poet is usually the tool—and has followed it backwards, that is to say, traced it to the dream. A friend has called my attention to the following passage in G. Keller’s Der Grüne Heinrich: “I do not wish, dear Lee, that you should ever come to realise from experience the peculiar piquant truth contained in the situation of Odysseus, when he appears before Nausikaa and her playmates, naked and covered with mud! Would you like to know what it means? Let us consider the incident closely. If you are ever separated from your home, and from everything that is dear to you, and wander about in a strange country, when you have seen and experienced much, when you have cares and sorrows, and are, perhaps, even miserable and forlorn, you will some night inevitably dream that you are approaching your home; you will see it shining and beaming in the most beautiful colours; charming, delicate and lovely figures will come to meet you; and you will suddenly discover that you are going about in rags, naked and covered with dust. A nameless feeling of shame and fear seizes you, you try to cover yourself and to hide, and you awaken bathed in sweat. As long as men exist, this will be the dream of the care-laden, fortune-battered man, and thus Homer has taken his situation from the profoundest depths of the eternal character of humanity.”
This profound and eternal character of humanity, upon the touching of which in his listeners the poet usually calculates, is made up of the stirrings of the spirit which are rooted in childhood, in the period which later becomes prehistoric. Suppressed and forbidden wishes of childhood break forth under cover of those wishes of the homeless man which are unobjectionable and capable of becoming conscious, and for that reason the dream which is made objective in the legend of Nausikaa regularly assumes the form of a dream of anxiety.
My own dream, mentioned on p. 201, of hurrying up the stairs, which is soon afterward changed into that of being glued to the steps, is likewise an exhibition dream, because it shows the essential components of such a dream. It must thus permit of being referred to childish experiences, and the possession of these ought to tell us how far the behaviour of the servant girl towards me—her reproach that I had soiled the carpet—helped her to secure the position which she occupies in the dream. I am now able to furnish the desired explanation. One learns in psychoanalysis to interpret temporal proximity by objective connection; two thoughts, apparently without connection, which immediately follow one another, belong to a unity which can be inferred; just as an a and a t, which I write down together, should be pronounced as one syllable, at. The same is true of the relation of dreams to one another. The dream just cited, of the stairs, has been taken from a series of dreams, whose other members I am familiar with on account of having interpreted them. The dream which is included in this series must belong to the same connection. Now the other dreams of the series are based upon the recollection of a nurse to whom I was entrusted from some time in the period when I was suckling to the age of two and a half years, and of whom a hazy recollection has remained in my consciousness. According to information which I have recently obtained from my mother, she was old and ugly, but very intelligent and thorough; according to inferences which I may draw from my dreams, she did not always give me the kindest treatment, and said hard words to me when I showed insufficient aptitude for education in cleanliness. Thus by attempting to continue this educational work the servant girl develops a claim to be treated by me, in the dream, as an incarnation of the prehistoric old woman. It is to be assumed that the child bestowed his love upon this governess in spite of her bad treatment of him.[[BW]]