"Thank you so much," he said, with beaming face. "That is the most I could hope for to-day," and he held out his hand to her, which she took shyly and diffidently.

"If you can only bring yourself to say Yes," he said, as he stood in the doorway, "I will do my best to make you the happiest woman in the world."

She did not reply, however. From behind the window curtains she watched him mount his horse and ride away; then she dropped into an easy-chair and stared into space.

It is sometimes said that a woman rarely gets the man she wants—that he, unknowing and unseeing, goes somewhere else, and she makes no sign. Later on she accepts the second best, or it may be the third best, and tries to be content.

Ruth wondered if contentment was ever to be found along that path, if the heart grew reconciled to the absence of romance, if the passion of youth was but the red glare of sunrise which quickly faded into the sober light of day.

Sam Tremail was not a man to be despised. He was no wastrel, no unknown adventurer. He was a man of character and substance. He had been a good son; he would doubtless make a good husband. Could she be content?

No halo of romance gathered about his name. No beautiful and tender passion shook her heart when she thought of him. Life at Pentudy would be sober and grey and commonplace. There would be no passion flowers, no crimson and scarlet and gold. On the other hand, there would be no want, no mean and niggling economies, no battle for daily bread. Was solid comfort more lasting, and therefore more desirable, than the richly-hued vesture of romance?

How about the people she knew—the people who had reached middle life—the people who were beginning to descend the western slope? Had there been any romance in their life? Had they thrilled at the beginning at the touch of a hand? Had their hearts leaped at the sound of a voice? And if so, why was there no sign of it to-day? Did familiarity always breed contempt? Did possession kill romance? Did the crimson of the morning always fade into the grey of noon?

Would it be better to marry without dreams and illusions, to begin with the sober grey, the prose and commonplace, than begin with some richly-hued dreams that would fade and disappear before the honeymoon came to an end? To be disillusioned was always painful. And yet, would not one swift month of rich romance, of deep-eyed, passionate love, be worth a lifetime of grey and sober prose?

Ruth was still thinking when Ralph returned from Perranpool.