Lewis was all for trying to ask the Trader for a few more of the emotion gauges. He had a draughtsman at the plant draw up a picture of the gauge and he wanted me to send it through to indicate that we were interested in it.
But I told him not to try to rush things. While the emotion gauge might be a good deal, we should sample what the Trader had to offer before we made up our minds.
The Trader, apparently certain now that someone was cooperating with him, had dropped his once-a-day trade schedule’ and was open for business around the clock. After he had run through the list in the ABC book, he sent back a couple of blank pages from the book with very crude drawings on them-drawings that looked as if they had been made with crumbly charcoal. Lewis drew a series of pictures, showing how a pencil worked, and we sent the Trader a ream of paper and a gross of sharpened pencils, then sat back to wait.
We waited a week and were getting sort of edgy, when back came the entire ream of paper, with each sheet covered on both sides with all kinds of drawings. So we sent him a mail-order catalogue, figuring that would hold him for a while, and settled down to try to puzzle out the drawings he had made.
There wasn’t a single thing that made any sense at all—not even to Lewis. He’d study some of the drawings, then paced up and down the room, pulling his hair and twitching his ears.
Then he’d study the drawings some more.
To me, it all looked plain Rube Goldbergish.
Finally, we figured we might as well forget about the catalogue idea, for the time being at least, and we started feeding all sorts of stuff through the desk—scissors, dishes, shoes, jackknives, mucilage, cigars, paper clips, erasers, spoons—almost anything that was handy. It wasn’t the scientific way, I know, but we didn’t have the time to get very methodical about it and, until we had a chance to work out a more sensible programme, we figured we might as well try the shotgun method.
And the Trader started shooting things back at us. We’d sit for hours and feed stuff through to him and then he’d shoot stuff back at us and we had the damnedest pile of junk heaped all over the place you ever laid eyes on.
We rigged up a movie camera and took a lot of film of the spot on the desk where the exchange was going on. We spent a lot of time viewing that film, slowing it down and even stopping it, but it didn’t tell us anything at all. When the stuff disappeared or appeared, it just disappeared or appeared. One frame it would be there, the next frame it would be gone.