"But observe what the writers have made out of this simple truth. It has escaped them that anything is north or south only by comparison with something else. In the minds of our parrot authors the south has simply become associated with one set of stock phrases and the north with another. Here is where my Franco-Spanish frontier comes in. We learn that the people of southern Spain are gay and fickle whereas the people of northern Spain are sturdy and sober-minded. But cross over into France and the people of southern France are once more gay and fickle, in spite of the fact that they live further north than the sober-minded inhabitants of northern Spain; and the people of northern France are calm and self-reliant. Moving still further toward the Pole, into Belgium, we find that the Belgians of the south are a frivolous lot, but the Belgians of the north are eminently desirable citizens. From what I have said you will no longer be surprised to hear that the inhabitants of southern Sweden are a harum-scarum populace, whereas in the north of Sweden every one attends to his own business. As a result of my long course in travel literature I am convinced that the southern Eskimos are not to be mentioned in the same breath, for hardihood and manly self-control, with the sturdy inhabitants of northern Congo. People go on writing this terrific nonsense and people go on reading it. A brief review in geography would put a stop to the nefarious practice. Have I made myself clear?"

"The question is whether people are interested in the countries you have mentioned," I said.

Even then Harding was patient with me.

"That is what I would try to do in my commencement oration—arm those young minds against the catch-words and imbecilities of the great world. Altruism, the passion for service, the passion for progress, are all very well in their way. But first of all comes the duty of every man to defend the integrity of his own mind and the multiplication table."


[XXVI]

BRICK AND MORTAR

It is a pleasure to put before my readers the first completely unauthorised interview with Professor Henri Bergson on the spiritual significance of American architecture. We were speaking of Mr. Guy Lowell's original design for New York's new County Court house.

M. Bergson smiled pragmatically.