"Well," said Helen, in a voice that was not at all unkind.
Mamie's giggle grew worse. She seemed bent on snapping the massive gilt chain with twisting it back and forth, and finally gave up the whole case. "You tell it, Helen," she begged. "I forgot wot I was goin' t' say. I'm scared poifectly stiff."
Helen complied. "May it please your Honour, Mamie O'Farrell wants me to say that she represents the Amalgamated Union of Cash Girls and Juvenile Cotton Mill and Glass Factory Operatives. Mamie is fifteen. She works eleven hours a day and receives three and a half dollars a week. She passes two hours every day clinging to a strap in a crowded surface car. She carries her lunch in a paper bundle together with a copy of Laura M. Clay's novel entitled 'Irma's Ducal Lover.' Saturday nights, if her father has been strong enough to pass Murphy's saloon without opening his pay envelope, she goes to the theatre where the play is 'The Queen of the Opium Fiends.' Sometimes she attends a dance of the Friendship Circle, but as a rule she spends her nights at home reading the Evening Yell, which tells her that beauty is often a fatal gift and that there is danger in the first glass of champagne a young girl drinks. Am I telling your story in the right way, Mamie?" asked Helen.
"Goodness, yes. You're awful kind, Helen," said Mamie.
"Thus far, Mamie has nothing to complain of," continued Helen. "But she has read somewhere that the slaughter of the poor negroes in the Congo and of the Chinese in Manchuria, and of the Zulus in Natal, and of the Moros in the Philippines, arises from the necessity under which the civilised nations labour to find foreign markets for their increasing output of cotton goods, brass jewelry, and coloured beads. Now the members of Mamie's union are engaged in producing precisely those commodities, and they have come to feel in consequence, that they are directly responsible for the innocent blood that is being shed in various parts of the world. It cannot be their employers who are at fault, because the press and the clergy are unanimous in declaring that the heads of our great industries are the benefactors of humankind. That is why the girls protest. They are quite content with their own fate, but they cannot bear the entire responsibility for the march of civilisation. Mamie tells me that she cannot sleep of nights for thinking of the poor little Moorish babies whose mothers were killed by the French guns. That is the position taken by your union, isn't it, Mamie?"
Mamie giggled, went through a final contortion of ill-ease and returned to her place, in the half-circle. She was succeeded by a brown-haired little maiden, who for some minutes had been showing a strained anxiety to break into speech.
"Please, Helen," she entreated, "may I say something?"
"Of course, dear," said Helen.
The little maid bowed to the mayor. "Please, sir," she said, "my papa was thirty-eight years of age when he married mamma. He was an old bachelor. He was not anxious to be married, but they put a tax on him because they were afraid of depopulation. And he loves me very dearly. But sometimes when he thinks of his old freedom he looks so sadly at me. I feel very sorry for him then. I don't want him to be unhappy on my account——"
She withdrew and Helen stepped forward to sum up the case. "You must not think, your Honour, that it is our desire to embarrass your administration. Bad as conditions are, we would have continued to suffer in silence, because, you see, there are still little flashes of freedom left to us children. But we have learned that there is now on foot in England a movement which threatens to reduce us to unmitigated slavery. We understand that Mr. Sidney Webb, Mr. Francis Galton, Professor Karl Pearson, and Mr. Bernard Shaw are advocating a scheme of state endowment for motherhood. Now you can see for yourself what that would mean. In politics it would mean the establishment of a motherhood suffrage with plural voting based on the size of the family. In the economic sphere it would mean that we shall be supporting our papas and mammas. In art, which must reflect the actualities of life, it would mean almost the elimination of the element of love, since the world is to be a children's world. In other words, as I have already said, the entire social fabric will come to press on our shoulders alone. It is against the mere possibility of such an unnatural state of affairs that we are here to protest."