A light rod was firmly held in the hands of the tallest and most muscular of the spectators. Miss Lulu had only to touch the rod with her fingers when it would begin to go through the most extraordinary manoeuvres. It jerked the holder around the room with a power he was unable to resist, and finally threw him down into a corner completely discomfited. Another spectator was then asked to take hold of the rod, and Miss Lulu extended her arms and touched each end with the tip of her finger. Immediately the rod began to whirl around on its central axis with such force that the skin was nearly taken off the holder's hands in his efforts to stop it.
A heavy man being seated in a chair, man and chair were lifted up by the fair performer placing her hands against the sides. To substantiate the claim that she herself exerted no force, chair and man were lifted without her touching the chair at all. The sitter was asked to put his hands under the chair; the performer put her hands around and under his in such a way that it was impossible for her to exert any force on the chair except through his hands. The chair at once lifted him up without her exerting any pressure other than the touch upon his hands.
Several men were then invited to hold the chair still. The performer then began to deftly touch it with her finger, when the chair again began to jump about in spite of the efforts of three or four men to hold it down.
A straw hat being laid upon a table crown downwards, she laid her extended hands over it. It was lifted up by what seemed an attractive force similar to that of a magnet upon an armature, and was in danger of being torn to pieces in the effort of any one holding it to keep it down, though she could not possibly have had any hold upon the object.
Among the spectators were physicians, one or more of whom grasped Miss Lulu's arms while the motions were going on, without finding any symptoms of strong muscular action. Her pulse remained normal throughout. The objects which she touched seemed endowed with a force which was wholly new to science.
So much for the story. Now for the reality. The party appeared at the Volta Laboratory, according to arrangement. Those having the matter in charge were not professional mystifiers of the public, and showed no desire to conceal anything. There was no darkening of rooms, no putting of hands under tables, no fear that spirits would refuse to act because of the presence of some skeptic, no trickery of any sort.
We got up such arrangements as we could for a scientific investigation of the movements. One of these was a rolling platform on which Miss Lulu was requested to stand while the forces were exerted. Another device was to seat her on a platform scale while the chair was lifting itself.
These several experiments were tried in the order in which I have mentioned them. I took the wonderful staff in my hands, and Miss Lulu placed the palms of her hands and extended them against the staff near the ends, while I firmly grasped it with my two hands in the middle. Of course this gave her a great advantage in the leverage. I was then asked to resist the staff with all my force, with the added assurance from Mrs. Hurst, the mother, that the resistance would be in vain.
Although the performer began with a delicate touch of the staff, I noticed that she changed the position of her hands every moment, sometimes seizing the staff with a firm grip, and that it never moved in any direction unless her hands pressed it in that direction. As nearly as I could estimate, the force which she exerted might have been equal to forty pounds, and this exerted first in one way and then in another was enough to upset the equilibrium of any ordinary man, especially when the jerks were so sudden and unexpected that it was impossible for one to brace himself against them. After a scene of rather undignified contortion I was finally compelled to retire in defeat, but without the slightest evidence of any other force than that exerted by a strong, muscular young woman. I asked that the rod might be made to whirl in my hands in the manner which has been described, but there was clearly some mistake in this whirl, for Miss Lulu knew nothing on the subject.
Then we proceeded to the chair performance, which was repeated a number of times. I noticed that although, at the beginning, the sitter held his fingers between the chair and the fingers of the performer, the chair would not move until Miss Lulu had the ball of her hand firmly in connection with it. Even then it did not actually lift the sitter from the ground, but was merely raised up behind, the front legs resting on the ground, whereupon the sitter was compelled to get out. This performance was repeated a number of times without anything but what was commonplace.