“No, really, old chap! Mother and I—Lady Doak, I should say, we usually play a hand of bezique and go to bed at ten. Bless my soul, I couldn’t keep up your beastly pace! And talking! All your American women, they know so much—culture and that sort of thing. This Mrs. McKelvey—your friend—”
“Yuh, old Lucile. Good kid.”
“—she asked me which of the galleries I liked best in Florence. Or was it in Firenze? Never been in Italy in my life! And primitives. Did I like primitives. Do you know what the deuce a primitive is?”
“Me? I should say not! But I know what a discount for cash is.”
“Rather! So do I, by George! But primitives!”
“Yuh! Primitives!”
They laughed with the sound of a Boosters’ luncheon.
Sir Gerald’s room was, except for his ponderous and durable English bags, very much like the room of George F. Babbitt; and quite in the manner of Babbitt he disclosed a huge whisky flask, looked proud and hospitable, and chuckled, “Say, when, old chap.”
It was after the third drink that Sir Gerald proclaimed, “How do you Yankees get the notion that writing chaps like Bertrand Shaw and this Wells represent us? The real business England, we think those chaps are traitors. Both our countries have their comic Old Aristocracy—you know, old county families, hunting people and all that sort of thing—and we both have our wretched labor leaders, but we both have a backbone of sound business men who run the whole show.”
“You bet. Here’s to the real guys!”