“Of course I do! I just meant—” Remembering that Paul Riesling had predicted this, he was as desperate as she. “I mean, sometimes it’s a good thing for an old grouch like me to go off and get it out of his system.” He tried to sound paternal. “Then when you and the kids arrive— I figured maybe I might skip up to Maine just a few days ahead of you— I’d be ready for a real bat, see how I mean?” He coaxed her with large booming sounds, with affable smiles, like a popular preacher blessing an Easter congregation, like a humorous lecturer completing his stint of eloquence, like all perpetrators of masculine wiles.
She stared at him, the joy of festival drained from her face. “Do I bother you when we go on vacations? Don’t I add anything to your fun?”
He broke. Suddenly, dreadfully, he was hysterical, he was a yelping baby. “Yes, yes, yes! Hell, yes! But can’t you understand I’m shot to pieces? I’m all in! I got to take care of myself! I tell you, I got to— I’m sick of everything and everybody! I got to—”
It was she who was mature and protective now. “Why, of course! You shall run off by yourself! Why don’t you get Paul to go along, and you boys just fish and have a good time?” She patted his shoulder—reaching up to it—while he shook with palsied helplessness, and in that moment was not merely by habit fond of her but clung to her strength.
She cried cheerily, “Now up-stairs you go, and pop into bed. We’ll fix it all up. I’ll see to the doors. Now skip!”
For many minutes, for many hours, for a bleak eternity, he lay awake, shivering, reduced to primitive terror, comprehending that he had won freedom, and wondering what he could do with anything so unknown and so embarrassing as freedom.
CHAPTER X
I
No apartment-house in Zenith had more resolutely experimented in condensation than the Revelstoke Arms, in which Paul and Zilla Riesling had a flat. By sliding the beds into low closets the bedrooms were converted into living-rooms. The kitchens were cupboards each containing an electric range, a copper sink, a glass refrigerator, and, very intermittently, a Balkan maid. Everything about the Arms was excessively modern, and everything was compressed—except the garages.
The Babbitts were calling on the Rieslings at the Arms. It was a speculative venture to call on the Rieslings; interesting and sometimes disconcerting. Zilla was an active, strident, full-blown, high-bosomed blonde. When she condescended to be good-humored she was nervously amusing. Her comments on people were saltily satiric and penetrative of accepted hypocrisies. “That’s so!” you said, and looked sheepish. She danced wildly, and called on the world to be merry, but in the midst of it she would turn indignant. She was always becoming indignant. Life was a plot against her, and she exposed it furiously.