“We close in five days, then we grab the collection and pull out of here and make a jump to Lincoln, Nebraska; open there in three days. Regular troupers’ jump, too—don’t even get a Pullman—leave here on the day-coach at eleven p. m. and get into Lincoln at one.”
“Sunday night you leave, eh? That’s funny. I’ll be on that train. Going to Lincoln myself.”
“Well, you can come hear us there. I always do ‘Jerusalem the Golden’ on the cornet, first meeting. Knocks ’em cold. They say it’s all this gab that gets ’em going and drags in the sinners, but don’t you believe it—it’s the music. Say, I can get more damn’ sinners weeping on a E-flat cornet than nine gospel-artists all shooting off their faces at once!”
“I’ll bet you can, Art. Say, Art—— Of course I’m a preacher myself, just in business temporarily, making arrangements for a new appointment.” Art looked like one who was about to not lend money. “But I don’t believe all this bull about never having a good time; and of course Paul said to ‘take a little wine for your stomach’s sake’ and this town is dry, but I’m going to a wet one between now and Saturday, and if I were to have a pint of rye in my jeans—heh?”
“Well, I’m awful’ fond of my stomach—like to do something for its sake!”
“What kind of a fellow is this Englishman? Seems to be Miss Falconer’s right-hand man.”
“Oh, he’s a pretty bright fellow, but he don’t seem to get along with us boys.”
“She like him? Wha’ does he call himself?”
“Cecil Aylston, his name is. Oh, Sharon liked him first-rate for a while, but wouldn’t wonder if she was tired of his highbrow stuff now, and the way he never gets chummy.”
“Well, I got to go speak to Miss Falconer a second. Glad met you, Art. See you on the train Sunday evening.”