“To anything that's definite. Seriousness or frivolousness or both. I wouldn't care whether it was a laboratory or a carnival. But it's merely safe. Tell me, Mr. Pollock, what is the matter with Gopher Prairie?”
“Is anything the matter with it? Isn't there perhaps something the matter with you and me? (May I join you in the honor of having something the matter?)”
“(Yes, thanks.) No, I think it's the town.”
“Because they enjoy skating more than biology?”
“But I'm not only more interested in biology than the Jolly Seventeen, but also in skating! I'll skate with them, or slide, or throw snowballs, just as gladly as talk with you.”
(“Oh no!”)
(“Yes!) But they want to stay home and embroider.”
“Perhaps. I'm not defending the town. It's merely——I'm a confirmed doubter of myself. (Probably I'm conceited about my lack of conceit!) Anyway, Gopher Prairie isn't particularly bad. It's like all villages in all countries. Most places that have lost the smell of earth but not yet acquired the smell of patchouli—or of factory-smoke—are just as suspicious and righteous. I wonder if the small town isn't, with some lovely exceptions, a social appendix? Some day these dull market-towns may be as obsolete as monasteries. I can imagine the farmer and his local store-manager going by monorail, at the end of the day, into a city more charming than any William Morris Utopia—music, a university, clubs for loafers like me. (Lord, how I'd like to have a real club!)”
She asked impulsively, “You, why do you stay here?”
“I have the Village Virus.”