Did Carol, Kennicott inquired, wish to stop in Minneapolis to buy new clothes?

“No! I want to get as far away as I can as soon as I can. Let's wait till Los Angeles.”

“Sure, sure! Just as you like. Cheer up! We're going to have a large wide time, and everything 'll be different when we come back.”

VI

Dusk on a snowy December afternoon. The sleeper which would connect at Kansas City with the California train rolled out of St. Paul with a chick-a-chick, chick-a-chick, chick-a-chick as it crossed the other tracks. It bumped through the factory belt, gained speed. Carol could see nothing but gray fields, which had closed in on her all the way from Gopher Prairie. Ahead was darkness.

“For an hour, in Minneapolis, I must have been near Erik. He's still there, somewhere. He'll be gone when I come back. I'll never know where he has gone.”

As Kennicott switched on the seat-light she turned drearily to the illustrations in a motion-picture magazine.

[ [!-- H2 anchor --] ]

CHAPTER XXXIV

THEY journeyed for three and a half months. They saw the Grand Canyon, the adobe walls of Sante Fe and, in a drive from El Paso into Mexico, their first foreign land. They jogged from San Diego and La Jolla to Los Angeles, Pasadena, Riverside, through towns with bell-towered missions and orange-groves; they viewed Monterey and San Francisco and a forest of sequoias. They bathed in the surf and climbed foothills and danced, they saw a polo game and the making of motion-pictures, they sent one hundred and seventeen souvenir post-cards to Gopher Prairie, and once, on a dune by a foggy sea when she was walking alone, Carol found an artist, and he looked up at her and said, “Too damned wet to paint; sit down and talk,” and so for ten minutes she lived in a romantic novel.