Una listened, numbed, while Walter kept doing absurd things with his face—pinched his lips and tapped his teeth and rubbed his jaw as though he needed a shave. He took off his eye-glasses to wipe them and tied his thin legs in a knot, and all the while said, “Yes, there’s certainly a great deal to that.”
At a quarter to ten Mrs. Golden rose, indulged in a little kitten yawn behind her silvery hand, and said: “Well, I think I must be off to bed.... I find these May days so languid. Don’t you, Mr. Babson? Spring fever. I just can’t seem to get enough sleep.... Now you mustn’t stay up too late, Una dear.”
The bedroom door had not closed before Walter had darted from his chair, picked Una up, his hands pressing tight about her knees and shoulders, kissed her, and set her down beside him on the couch.
“Wasn’t I good, huh? Wasn’t I good, huh? Wasn’t I? Now who says Wally Babson ain’t a good parlor-pup, huh? Oh, you old darling, you were twice as agonized as me!”
And that was all he said—in words. Between them was a secret, a greater feeling of unfettered intimacy, because together they had been polite to mother—tragic, pitiful mother, who had been enjoying herself so much without knowing that she was in the way. That intimacy needed no words to express it; hands and cheeks and lips spoke more truly. They were children of emotion, young and crude and ignorant, groping for life and love, all the world new to them, despite their sorrows and waiting. They were clerklings, not lords of love and life, but all the more easily did they yield to longing for happiness. Between them was the battle of desire and timidity—and not all the desire was his, not hers all the timidity. She fancied sometimes that he was as much afraid as was she of debasing their shy seeking into unveiled passion. Yet his was the initiative; always she panted and wondered what he would do next, feared and wondered and rebuked—and desired.
He abruptly drew her head to his shoulder, smoothed her hair. She felt his fingers again communicate to her every nerve a tingling electric force. She felt his lips quest along her cheek and discover the soft little spot just behind her ear. She followed the restless course of his hands across her shoulders, down her arm, lingeringly over her hand. His hand seemed to her to have an existence quite apart from him, to have a mysterious existence of its own. In silence they rested there. She kept wondering if his shoulder had not been made just for her cheek. With little shivers she realized that this was his shoulder, Walter’s, a man’s, as the rough cloth prickled her skin. Silent they were, and for a time secure, but she kept speculating as to what he would dare to do next—and she fancied that he was speculating about precisely the same thing.
He drew a catching breath, and suddenly her lips were opening to his.
“Oh, you mustn’t—you promised—” she moaned, when she was able to draw back her head.
Again he kissed her, quickly, then released her and began to talk rapidly of—nothing. Apropos of offices and theaters and the tides of spring, he was really telling her that, powerful though his restless curiosity was, greatly though their poor little city bodies craved each other, yet he did respect her. She scarce listened, for at first she was bemused by two thoughts. She was inquiring sorrowfully whether it was only her body that stirred him—whether he found any spark in her honest little mind. And, for her second thought, she was considering in an injured way that this was not love as she had read of it in novels. “I didn’t know just what it would be—but I didn’t think it would be like this,” she declared.
Love, as depicted in such American novels by literary pastors and matrons of perfect purity as had sifted into the Panama public library, was an affair of astounding rescues from extreme peril, of highly proper walks in lanes, of laudable industry on the part of the hero, and of not more than three kisses—one on the brow, one on the cheek, and, in the very last paragraph of the book, one daringly but reverently deposited upon the lips. These young heroes and heroines never thought about bodies at all, except when they had been deceived in a field of asterisks. So to Una there was the world-old shock at the earthiness of love—and the penetrating joy of that earthiness. If real love was so much more vulgar than she had supposed, yet also it was so much more overwhelming that she was glad to be a flesh-and-blood lover, bruised and bewildered and estranged from herself, instead of a polite murmurer.